Practice, Practice, Perform.
Regardless of the advice that many magic books and teachers will tell you, every secret to performing a magic trick isn’t given to you in magic books and videos. They teach the mechanics and touch on a particular performers style for presenting the magic trick, but that’s only a small part of the magic secret.
A magic book or DVD can never give you the whole story because magic happens LIVE, and live events are not predictable. There is no set pattern for how a spectator will interact with you, or how you will influence and engage an audience. There are too many variables to ever be predictable.
In the magic tricks performed by Dee Christopher, the lack of a set pattern in the presentation of a magic trick is even more evident. His chosen branch of magic is mind reading and mental powers demonstrated to the public. By its nature, mentalism is about interaction.
Dee Christopher can’t follow a simple recipe as the magic is created in the communication between the mentalist and the spectator. Dee Christopher understands this completely. He urges you to perform live as much as possible as that’s the secret of professional magicians. They practice the method to performance standard, but the real schooling happens when the magic tricks are shown to the public and audience tested.
We often get asked for advice on how to improve the script or ‘patter’ that a magician is using to introduce a magic trick they are performing. So many magic tricks are presented with what boils down to a simple description of what is happening and what the spectator should do:
‘Here’s a deck of cards, pick one and remember it. I’m going to read your mind… 10 of clubs Tada!!!’
The Definition = Creation Idea & The Sheep Concept.
It was Kenton Knepper’s work that introduced me to Definition = Creation, the concept is that by defining something, you’re giving it weight to be accepted as reality in the spectator’s minds.
The Sheep concept is what I’ve called the strange fact that people generally act like sheep. Not in the literal sense, but on a whole, people let the majority’s thoughts influence their thoughts. Social convention, norms, etc. If everyone else thinks and acts in a certain way, I should too.
The basic idea of creating belief through accepting belief (CBTAB) is that you will subtly introduce your spectator to a belief that most other spectators have about you or your work.
This is done in an offbeat way, so you don’t draw much attention to it.
Here’s an example, so you can see the concept in action:
“People often ask me after I do this, if I have to make contact with the participant to read their thoughts. It’s not essential, but sometimes it does make things a little easier.”
A simple little statement, that’s delivered almost like a question and an answer.
You’ll notice that I start with:
“People often ask me.”
This suggests that the question is asked often. It implies that other people assume what I’m claiming to be true and ask a further question about it. Another way to create a similar effect is to say: “Most people ask.”
Why it works: Using this kind of sentence can be very powerful for two main reasons; firstly, we can only answer questions when we have the answer. Secondly, the answer isn’t just spoken, someone has to ask the question, for it to be relevant.
After this little contextual ‘power statement,’ I move on and say this popular question in simple, direct terms:
“… After I do this If I have to make contact with the participant to read their thoughts.”
This part of the statement is extremely powerful for a number of reasons:
- It assumes that you have the ability to read thoughts; people apparently ask you this after you’ve read their thoughts and you hear it often, therefore you must read people’s thoughts often.
- It puts a timing of the action of reading thoughts, like Banachek’s ‘witch doctor principle,’ it gives the ability of receiving the thought a physical element and its own moment in time. For all the spectator’s know, you could be receiving the thought as they write it down or at any other time. You’re taking the heat of the moment when the thought is written and placing it at the moment you touch them to apparently steal the thought. While this doesn’t remove the action of the writing the name down from their memory, it gives it a lot less importance. The importance is in the moment you touch them.
“It’s not essential, but sometimes it does make things a little easier.” The final part of this sentence gives an answer to the question, which shows your authority on the subject. By saying that it’s not essential for you to make contact doesn’t necessarily contradict the witch doctor point, but can potentially strengthen it, there will still be a point in the trick in which you will receive the thought, but this now allows you to turn this action from having to be a touch, to being able to be whatever you like, perhaps a strong stare directly through the eyes or something even more theatrical.Saying that “…it does make things a little easier,” implies that it’s not an easy task to do this, if it was easy to do, you wouldn’t even mention this action that could make it less difficult to perform.
Dee: It’s worth checking out Kenton Kneppers work, also if they are interested in further developing their characters, I would suggest reading How to get away with murder. It has a lot of advice on creating justifications and building your persona.
DO THIS: So there you are, a really basic use of the CBTAB principle. Dee shows us that every word we say really can be made to have impact and can help create a fantastic tool to enforce belief and strength in our claims and abilities as performers.
Look back on the magic tricks that you already perform and see if there is an opportunity to add in an introduction that will add belief through the acceptance of belief. It’s a very small addition to your ‘patter’ but you will be amazed at the reactions that this can have.