How to do Magic Tricks

Advice and Support for Magicians

Become a Better Magician With Enjoyable Practice

by Dominic Reyes Leave a Comment

Human beings only do things they like to do. If they do things they don’t like, they don’t do them for very long.

You’ve probably heard that the secret to become a better magician is practice, practice, practice. But that’s easier said than done. As with any new activity, we start full of motivation, but that soon runs thin, and many people just can’t seem to stay motivated enough to reap the rewards that consistent long-term practice brings. We all know consistent practice over time is the key to becoming a better magician, but how is that maintained?

The secret lies in finding a way to practice that you enjoy. This principle is especially true when learning the art of magic. Our art requires us to commit to practice and rehearsal in private, over and over again, with constant appraisal and adjustment. It’s a far cry from the rush of performing to an audience and the buzz of entertaining and creating wonder. We must develop ways to make our practice time as fun as possible.

Why Enjoyable Practice Matters

When you engage in activities you enjoy, you’re more likely to stick with them. Practicing magic should be no different. You’ll quickly burn out and lose interest if you force yourself to slog through routines that bore or frustrate you. On the other hand, if you find ways to make your practice sessions fun and engaging, you’ll look forward to them and keep coming back for more.

Crafting Your Perfect Practice Routine

The key to sustainable practice is to find a routine that works for you. This involves a bit of experimentation and self-discovery, but it’s well worth the effort. Here are some tips to help you develop a better magician practice pattern that you’ll enjoy and maintain:

Realistic Goals

Start with small, achievable magic goals. Instead of aiming to master an entire routine in one go, break it down into manageable parts. For example, choose a specific trick you would like to master. That’s your overall goal, but it’s made of much smaller parts that are also goals. Map those out… for example, you might list the sleights required and then the gestures, expressions and subtleties that fit between the sleights. Then, the pattern and how it anchors each part of the trick and its mechanics. Start with just one of the sleights as your first goal to achieve. Drill that move and master it, then move to the next goal… Work on each of these individually as small goals to achieve. Celebrate your progress as you go along. This will keep you motivated and give you a sense of accomplishment.

Mix It Up

Variety is the spice of life and applies to your practice sessions, too. Mix up your practice routines to keep things interesting. Alternate between sleight-of-hand techniques, learn new tricks, and revisit old ones. Work on a coin trick for a three-week practice cycle, then switch to working and a new card control for the next three-week cycle. This way, you won’t get bored doing the same thing repeatedly.

Make It Fun

Incorporate elements that you find enjoyable. This could be practising with a friend, setting your practice to music, or creating a themed practice session. If you’re having fun, you’ll likely stick with it.

Track Your Progress

Keep a journal or log of your practice sessions as you work to become a better magician. Note what you worked on, what went well, and what needs improvement. This helps you stay organized and lets you see how far you’ve come, which can be incredibly motivating. Evernote.com is an excellent website and app for storing these notes, recording videos of your practice sessions, and creating reminder notes for each effects mechanics

Balance Work and Rest

Remember, you can only put so much energy into your magic practice each week. Don’t overdo it. Balance your practice sessions with rest and relaxation. This ensures you stay fresh and avoid burnout.

Making the Most of Your Energy

Recognise that your energy is finite. If you try to practice for hours daily, you’re likely to exhaust yourself. Instead, focus on the quality of your practice rather than the quantity. In his book Approaching Magic Practice, Dominic Reyes recommends small, regular sessions of just 10 minutes, twice a day in 3-week cycles. A well-structured, enjoyable 10-minute session can be far more productive than a two-hour slog.

Finding Your Rhythm

Every magician is different, so there’s no one-size-fits-all approach to practice. Pay attention to what works for you. Maybe you practice best in the morning, or perhaps you’re more focused in the evening. Tailor your practice schedule to fit your natural rhythms and preferences. Two short sessions per day with time between them easily fit into a busy day.

In the world of magic, consistency is key, but enjoyment fuels that consistency. By crafting a practice routine you genuinely enjoy, you’ll become a better magician and keep your passion for magic alive. Remember, the magic isn’t just in the tricks you perform; it’s in the joy and excitement you bring to your practice.

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Filed Under: how to do magic tricks Tagged With: beginners, learning magic, magic advice, practice, Practice magic

Tricks for a Magic Club Audition

by Merchant of Magic Leave a Comment

A magician contacted the shop and asked about tricks for a magic club audition:

Hi, I have a 10-minute performance coming up to join a magic club, and I am looking for a trick, preferably something new that few people have seen yet with a wow factor. Can you suggest anything? Thanks

Dominic Reyes: If you are doing a magic club audition, the goal isn’t necessarily to fool the other magicians in the audience; it’s to show your skill at performing, delivery, presentation, and stagecraft. That’s not to say you don’t need good quality magic that you know fools spectators, but you have a strange and demanding audience for this particular job. Your fellow magicians are a hard audience to impress with the trick alone. You aim to show you are an accomplished entertainer who can present magic well.

I recommend doing a routine you have been doing for some time rather than new material. It’s not about the trick; it’s about how comfortable and professional you are when you perform. Go for tried and tested material, you know, backwards and inside out.

If you really want to try a new routine, then maybe something like:

Close-up Linking Rings

Sucker Punch

The Rope Routine

The Three Shells and the Pea

Notice that all my suggestions are classics of magic that are time tested, but as tricks for a magic club audition, they excel in that they are open-ended. You combine as many phases as you want and pick parts you enjoy performing to create a multi-phase mini-act. This allows you to pick only a few and make them play out into your time limits. You can add and cut out phases if needed. 

Whichever you choose, make a polished and entertaining routine. Find out in advance how long you have to perform. This may only be 5-10 minutes. Practice your routines in full and the pacing to make them span that time allocation. Remember to slow down and pace yourself. It’s straightforward to rush through and then panic at the end when you still have too much time. Filming yourself presenting each effect will significantly help you structure the pacing and flow of the tricks for a magic club audition into a natural and unrushed performance. 

I asked some of the magic community for their input. Here are some of the most valuable replies. 

 

TWITTER/X: @merchantofmagic

Luis Olmedo: Tried and tested tricks that you love. Magic is not only about fooling magicians. Even more in a magic circle. Tricks that are tested are better from my point of view 🙂

Ali Cook: Stick with your act! Stuff to wow magicians is for competitions only.

Mike Ronesia: Whatever your best moves are, regardless of age or complexity. That’s what I’d want to see anyway.

Meriam Al Sultan:  Magicians are only impressed by your handling. They don’t care if it’s new magic or you just created it. Stick with polished acts no matter how many times you’ve seen them before. The classics will always win their hearts, too. Reference a magician you admire who contributed to the effect or your presentation; showing respect to other magicians is always the way to go, as we owe it to them. And good luck!

Nick Altieri: Well, I will keep it simple.  Stick to tried and true tricks. The goal is not to fool a magician; it’s to entertain your audience.  There’s a good chance you wouldn’t show a lay audience a “Magician Fooler” so then why in an audition?

Joshua: #IMO, Your tried and true, should have a wow factor. It’s magic, if they don’t like it (and you didn’t mess up), they are probably jaded, and you shouldn’t want to join their club anyway.

Samuel Gherman: Do your tried and true routines; good magicians care about performance value, not knuckle-busting effects.

Magic Mark: These things are less about the tricks and more about the performer. I would stick to the effects I know inside out and focus on the presentation.

Mark Vent: Tried and tested – I went for cups and balls to show competence at a classic/basic effect.

Stan Dart: Go with what you really know by heart. These auditions are not meant to impress magicians in the jury with the tricks you’re doing but with your performance.

El Hipnotista: Tried and tested all the way in.

Harvey’s Images: When I got my redcoat back in the day, I tried to use new effects to wow at the audition. What a tit. Afterwards I was told it was my personality that got me the job and not my performance. The moral? Work on you and not the magic shop’s latest offering.

Dan Langwell: I would suggest sticking to tried and true tricks for a magic club audition, with an emphasis on routines that allow you to show your personality and personal style.

FACEBOOK: facebook.com/merchantofmagic

Alan Rorrison: They want to see you are competent. Stick to tried and tested stuff, that you know.

Paul Henri: Do the stuff you know inside out, back to front, so nothing can phase you. Be ‘in the moment’ so you can address the audience in a polished, dynamic way but to the level where it doesn’t sound scripted. Show a level of expertise and competence, but don’t try to outwit/fool the panel. Good luck!

Dale Shrimpton: You do what you do best, and remember, it’s not just the tricks. It’s you as a performer.

Mark Warwick: I would perform my own effects …they are original, and no one else can buy them.

Mike Harris: Tried and tested stuff

John Cooper: Stick to the tried and tested. It’s certainly not the place to break in new material.

Alexander Parker: Do whatever you enjoy, it isn’t an audition to see if you’re of a high enough calibre to join the elite magic masterclass; it’s just showing the gang that you’re actually into magic.

Barry Allen: My advice? Honestly? Stay as far away from magic clubs AND other magicians as possible! Get out there in the ‘Real World’ and perform for people you don’t know. Don’t be worried about telling people, at the outset, that you are a newbie. Learn from your experience(s) and take notes afterwards. Consider what went well and not so well. Ask for feedback – take criticism and advice ALWAYS with a positive mindset. Don’t worry about screwing up. Performing a magic trick is not a life-or-death situation. Learn to use fewer props – it’s YOU that are the magic. The less you have, the harder you will work on improving your style and presentation. Only magicians want to watch a dealer dem!

Andrew Sherratt: Stick to what you know well! They’re not interested in being wowed; they just want to see how confident and proficient you are in your magic performance.

Nathan Earl: Always stick to tried and tested material, assuming it follows the entry rules for examination. If you are doing anything else, that’s fine so long as you’ve practised it in good time. I don’t think for the most part, that you need to specifically impress magicians

INSTAGRAM: @merchantofmagic

shropshiremagician: Stick to what you’re good at. I’m not interested too much in fooling magicians.

magicalowen: Do what you know.

photoforagerpugh: I’d show a classic with my own slant or routine.

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Filed Under: how to do magic tricks Tagged With: beginners, Magic Clubs, showmanship

Why You Should Learn Self Working Card Tricks

by Dominic Reyes Leave a Comment

Ultimate Self Working Card TricksYou want to be working on your core skill set of sleights, but you also need some great magic effects that you can learn quickly so you can start performing right away. Building your abilities as a magician is not about mastering knuckle busting moves. We all know many magicians who can do amazing sleights and flourishes, but when asked to actually show us a trick, they just look a bit blank and lost. You should perform as much as possible right from the start, so you learn stage craft, timing, audience control and showmanship skills. Adding some self working tricks, is a perfect way to balance both your practice and performance training.

THE PROBLEM:

There are a huge range of magic books and DVD’s available that teach self working tricks, but if you already own a few, you will understand how disappointing many of them can be. Stuffed full of boring mechanical procedures and complicated story plots. There is a massive gap in the market for a good teaching guide that gives professional quality tricks, suitable for magicians wanting to do magic without any knuckle busting moves and sleights.

ONE  ANSWER AND HOW YOU CAN TRY IT FOR FREE:

All the team are very impressed with a magic training DVD for total beginners, and also working pro’s. I think it is a perfect solution to this problem. The guiding principles that started the project is excellent. To put together a set of very strong professional tricks, that are self working, and strip away all the complicated plots and abstract nonsense found in most collections of this nature. The project fits perfectly with the teaching principles MoM uses with magicians that come for personal tuition to the shop, and we now recommend this DVD to all our students doing training with us. In fact, we love it so much, we would like to invite you to try the tricks for free.

Ultimate Self Working Card tricks

You probably already have some DVDs or magic books on the subject of self working tricks already. However, these tend to be full of terrible mathematical procedures and magic tricks so well known you could have found them on the back of a box of cereal! 

This DVD is COMPLETELY DIFFERENT.

You will learn eleven of the best card magic tricks ever invented.

Magic tricks that will simply freak out your audiences. The best part.. Every single magic trick taught to you HAPPENS to be self working. That’s the secret. These magic tricks are easy enough for a beginner, but POWERFUL ENOUGH FOR A WORKING PROFESSIONAL MAGICIAN. Even better, most of this material is very little known. 

There are magic tricks you can perform when a mate gives you half a dog-eared deck… and there are magic tricks that you can do for a large group that will blow their minds.

A team of some of the very best magicians has contributed material.

Presented by James Went (host of CBBC’s ‘Help, My Supply Teacher Is Magic’), Liam Montier, Iain Moran and Owen Packard, the DVD is full of tips & ideas on how to present these tricks. You also get a special bonus section featuring a range of false cuts if you want to develop your magic technique further. (You don’t have to use these. These magic tricks are all 110% sleight of hand free!).

 

You will be able to perform:

Contact Colors (Aldo Colombini)
Impossible (Mike Austin)
Shuffling Lesson (Chad Long)
Henry Sugar (Liam Montier)
Pre-Prefiguration (Larry Jennings / Mark Elsdon)
Your Aces Are Marked (Terry Lagerould)
Shufflebored (Simon Aronson)
The 7/16 Club (Alex Elmsley)
Impossible (Larry Jennings)
4,5,6 (Al Thatcher)
Unbelievable (By Shields, F. Michael And Bascom Jones, Jr)

Ultimate Self Working Card Tricks is an essential collection for anyone wanting to add some strong useable card magic to their magic.

NO SKILL!!

NO MOVES

NO DIFFICULT SLEIGHT OF HAND

NOTHING.

Just you, your own deck of playing cards and some of the most stunning magic ever taught.

With material from the likes of Simon Aronson, Chad Long, Aldo Colombini and Alex Elmsley you get a total insight into some of the most respected magical thinkers alive today.

 

Download a sample here

 

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Filed Under: how to do magic tricks Tagged With: beginners, free magic Tricks, recommended, sleight of hand

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