How to do Magic Tricks

Advice and Support for Magicians

Magicians Performing in Nightclubs – Tips and Advice

by Dominic Reyes Leave a Comment

Performing Magic in Nightclubs

By Ben Williams

Mark writes:

‘I’ve been really pushing to get work as a magician in my home town as I feel I’m ready to start performing to the public regularly. I’ve been approaching bars, restaurants, hotels and charity shops to ask if they’d be interested in working with me or if there are any upcoming events I could be part of. I usually leave my business card regardless if they are or looking at present or not, just as a precaution.

However I’ve also been thinking about performing in a nightclub in my area as they do live acts. I’ve read lots of articles from your website and from other sources about performing in restaurants and table hopping, but, obviously, nightclubs are a very different environment. So my question is, what sort of things should I expect when performing in a club? Both from spectators and staff. How should my act change? What sort of effects work best? What do I need to consider? How should I handle very drunk/ tetchy spectators? I know that’s a lot of questions, however I’d really appreciate your advice!‘

Hi Mark,

I hope you are well. Great to see you getting productive and pro active about trying to find work!

So here it is, my advice on magicians performing in nightclubs versus Strolling/Table Hopping Magic at corporate or private functions.

What to expect when performing Strolling/Table Magic at a Private or Corporate Functions:

Groups
When performing in a corporate or private strolling environment you should expect to deal with small groups of people up close.

Noise Levels
Normally the venue will have a loud environment due to the 100+ guests all talking at once. There may be some sort of disco but usually the volume levels will be low until later into the evening when everyone gets up on the dance floor. Expect to have to raise your voice in order to have people clearly hear you. Drink plenty of water so as not to strain your voice. Also expect decor and lighting that may detract from your clear cut visuals you would get performing in sunlight and within quiet surroundings.

Interruptions
You should also expect to have people interrupting your performance. Usually strolling gigs are much more about friends or clients reconnecting or getting to know each other than it is about your magic. People may join the group or try to pull someone away from it mid-performance.

Angles
Angles in any strolling environment are never ideal. You cannot control who walks behind you or around you. Also, people may just begin to gather around forming a circle or a much larger group so you have to be aware of the effects you are performing. Don’t perform anything that relies too heavily on a small window of angles, unless you are confident that you have the space and control within the situation.

What to expect in a nightclub environment:

Nightclubs are usually crazy loud and crazy dark, not to mention just flat out crazy!

Groups
Expect to be performing to small groups of people. Usually, you will not get a huge crowd unless you are with a huge group of friends. Friends tend to stick together in nightclubs, so even if someone sees you performing to another group, they will not come over to that group as it will not be friends of theirs. Make sure you keep an eye out for anyone who looks interested in what you are doing. Approaching an interested group is always easier than a group that has no idea that you are there or why you are there.

Noise Levels
The music will be very loud so you may not be able to patter at all. You could find yourself in a situation where you need to perform close up visual magic that does not rely on any intricate instructions or even simple patter. Think what routines you could perform with just gestures and simple body language. Simple is best, say minimal amounts of words. For example, instead of saying, ‘I’d like you to reach in and choose any card you like’ simply just say, ‘Grab a card!’ Also use your actions to instruct the spectators. Mime them putting the card back onto the deck rather than telling them, they will understand, as long as they are still coherent!

Interruptions
Expect there to be minimal space to work in, nightclubs get busy. Nightclubs like to pack out their venues to capacity to maximise revenue; it makes sense. Sadly they do not care if this makes the job of their resident magicians or staff difficult. You will most likely be bustled around a bit, nudged from behind while performing to groups, you may even have a group walk right through your space when performing so be aware of your surroundings.

Angles
Angles are not usually amazing as you have little to no control of the environment. However, you do have the advantage of the lighting being poor and massive amounts of misdirection so you can usually get away with lots of bold moves, so it evens out!

This next piece of advice is rated: V.I. – Very Important!

Safety
With nightclubs, there is also another consideration that you should be very aware of that usually does not crop up in corporate or private functions. Safety is that consideration. You should be aware that not all people who frequent nightclubs are nice and friendly, some are out to cause trouble, some seem just to attract it. Be very careful, choose your spectators wisely. If you approach a group of ladies with a couple of men within the group do not begin reading minds of the ladies and staring into their eyes. It is most likely that the men are with them because they are attracted to them or a looking out for them. Either way if you go in and look like you are a sleazy magician trying to impress women then you will find yourself potentially getting on the wrong side of the males in the group. Be prepared to have people be rude to you, sadly it can be part of the job in a nightclub. If you look at all the staff in a nightclub, everyone gets trouble. The door staff, the bar staff, dancers, everyone who works in a nightclub has the potential to have someone drunk be rude to them.

The best piece of advice is to be aware of your surroundings, be aware of the groups and their dynamics when you perform to them. If a group becomes too rowdy or a drama spills out, simply thank them and leave, if necessary tell someone from security if you think there is potential for it to become a problem for them. To deal with drunk or problematic spectators just stay calm, mostly they will just be trying to have fun or be funny so laugh along with them. If ever they do anything rude or problematic to you or any other person simply stop performing to them and use your judgement as to whether it is worth speaking with security. Security will appreciate you letting them know if a fight is just about to break out. However, they will not appreciate you informing them that your feelings have been hurt by someone rude. So use your common sense when speaking to security, they are usually very busy.

So these are the differences between the two types of working environments, it may seem that nightclubs are tough and unrewarding. They can be tough, but they can also be LOTS of fun. You will meet groups of people who are out for a great time, and you will get great reactions and have lots of fun with these groups. You can also test out new magic as if it goes wrong or not according to plan it doesn’t matter so much as the chances are the spectators won’t remember also! So if you do get a nightclub gig make sure you have fun yourself, nobody wants to be entertained by someone who isn’t having fun!

Here is a list of some great magic that would be perfect for magicians performing in nightclubs

Your magic tricks should be quick and snappy. The more visual the magic, the better. Think vanishes and reappearances, colour changes and any magic with a borrowed items goes down very well.

Ring Flight – Borrow a ring and make it vanish and reappear on your car keys!

The Raven – Make a coin vanish off of the back of a spectator’s hand!

Colour Drop – This is a visual card routine that is perfect for night club work.

Panic – Cause a deck of cards to vanish in your hands leaving just four kings!

Sticky Situation – Take out a chewed piece of gum, stretch it out to an unchewed stick of gum and then have it re-wrap itself!

Envylope – A Deck of cards visually turns into an envelope contain just the signed card!

Self Tying Shoelaces – Make your shoelaces tie themselves visually!

Loops – With Loops you can perform loads of great visual magic, make borrowed items moves, decks cut themselves to selected cards, rings levitate and so much more!

I hope this advice helps Mark. Just remember to have fun! After all that is what nightclubbing should be all about!

 

  • 6 Free Magic Tricks From Jay Sankey
  • Anniversary Waltz Free Magic Download
  • Approaching Magic Practice Ebook
  • Approaching Tables Ebook
  • Recommended For Magic Beginners
  • Cagey Tutorial
  • Choose Magic Set Kids
  • Cloud of Smoke Free Ebook
  • Double Lift Project Free Download
  • Duplex Free Magic Download
  • Epoch Free Magic Tutorials
  • Electric Touch Free Ebook
  • False Shuffles and Cuts Magic Download
  • Faster Than Light - Magic Download
  • Finger-Exercises
  • How to Break In Playing Cards
  • How to Learn Magic Tricks
  • Tips for Leaving a Magic Gigi
  • LSQ Ebook - Free
  • Magicians Fees Ebook
  • Mistakes in Magic Ebook
  • More Icandy
  • The One Minute Magic Business Ebook
  • Pitfalls Magic Family and Friends
  • Safe - Free Magic Ebook
  • School of Cool Free Download
  • Sleight of Hand Beginners Course
  • Split Free Magic Video Download
  • Self Working Card Tricks Vol 2 Download
  • Sweet 360 Free Magic Download
  • The 80's Called Download
  • Self Working Card Tricks Vol 3
  • Think Tank Free Magic Download
  • Turnover Pass Free Download
  • Self Working Card Tricks Download
  • Understanding Misdirection Free Ebook
  • Watch It Free Ebook
  • Wedding Exhibition Guide for Magicians
  • Confidence For Magicians
  • The Indian Shuffle

Filed Under: how to do magic tricks Tagged With: magic advice, performing for the public

Learning Sleight of Hand is Like Comic Collecting

by Dominic Reyes 1 Comment

Learning Sleight of Hand

By Dominic Reyes

Mark is new to magic and is learning sleight of hand. He is working on controls and sleights rather than tricks and effects..

Mark asks: 'I am new to card magic or any magic for that matter. I have been strictly working on my card handling with barely any work on tricks, just the occasional tricks to show to my kids. I really like working on controls, trying to get the card from middle to top and bottom but am struggling with most of them. What would be your recommendation of a control I should use or practice that is the most practical?' 

Hi Mark,

It's great to hear that you are putting in so much work into your card skills. The results you get are directly proportional to the quality of magic practice you are prepared to do.

Sleight of hand and comic collecting

Did you read comics when you were a kid? I did, in fact, I still read the odd issue of The Walking Dead from time to time. I even collected a few titles when I was back in college. Some of my friends got really into it. They would buy every issue (sometimes two copies) and store them carefully inside a Mayar protective sleeve, with an acid free backing board to keep them in A1 condition. Those comics became 'investments' in their eyes, and they loved every moment of collecting. 

There's a little problem with this that used to worry them. The paper in 20th century comics was CHEAP. It contained acid, which over time eats away at the paper. Even though they had done everything they could to keep their 'archive' away from conditions that would damage the paper, it was the ink and paper itself that would slowly fall apart and turn to dust over 20,40,50 years..

Learning sleight of hand as a collection of moves is a bit like comic collecting. When you build an archive of sleights they build up and get mastered over time. But as soon as you stop drilling them, they start to corrode.

Honestly ask yourself: How many of these moves will you remember in 10 years time?

The only techniques you will be able to remember and perform well, will be the ones you constantly perform.

Time destroys muscle memory. Without regular repetition, your controls and moves will degrade until you are disappointed with each one. You need constant performance to keep things fresh and remember all the mechanics.  If you collect moves outside of performance pieces (tricks) to use them, you may end up like the old comic collector that goes up to his attic to find his stacked up boxes of comics are just filled with bags of paper dust.

Sleight of hand and painting

Studying just moves, controls and sleights endlessly is like a painter, spending years learning how to perfectly mix the oil paints to every shade of colour… They end up with a huge palette of paints, but no paintings….

Choose tricks and effects first, then MASTER the controls, moves and sleights you need to perform that effect. Now you have improved your skills with a goal at the end.

Which move should you learn next? Start researching effects that you can build into sets of tricks to form an act. Be REALLY selective. Pick tricks that amaze you, but that will also entertain an audience. They need to be perfect for the type of venue you will perform within, and the type of people that will also be there.

Once you have selected your tricks, start on just one, and work on the controls, moves, and sleight of hand that is required to fully master it. That's what I recommend you work on next.

But that doesn't answer my question!

OK.. lecture over.. If you really want a suggestion of a move or control to work on, you should make sure you master at least one variation of these:

The Double Lift

The Top Change

The Over Hand Shuffle Control

The Mercury Fold

One Handed Card Palm

A Series of Good False Shuffles and Cuts

The rest; the controls, shifts, placements and changes are just icing on the cake… 

 

  • 6 Free Magic Tricks From Jay Sankey
  • Anniversary Waltz Free Magic Download
  • Approaching Magic Practice Ebook
  • Approaching Tables Ebook
  • Recommended For Magic Beginners
  • Cagey Tutorial
  • Choose Magic Set Kids
  • Cloud of Smoke Free Ebook
  • Double Lift Project Free Download
  • Duplex Free Magic Download
  • Epoch Free Magic Tutorials
  • Electric Touch Free Ebook
  • False Shuffles and Cuts Magic Download
  • Faster Than Light - Magic Download
  • Finger-Exercises
  • How to Break In Playing Cards
  • How to Learn Magic Tricks
  • Tips for Leaving a Magic Gigi
  • LSQ Ebook - Free
  • Magicians Fees Ebook
  • Mistakes in Magic Ebook
  • More Icandy
  • The One Minute Magic Business Ebook
  • Pitfalls Magic Family and Friends
  • Safe - Free Magic Ebook
  • School of Cool Free Download
  • Sleight of Hand Beginners Course
  • Split Free Magic Video Download
  • Self Working Card Tricks Vol 2 Download
  • Sweet 360 Free Magic Download
  • The 80's Called Download
  • Self Working Card Tricks Vol 3
  • Think Tank Free Magic Download
  • Turnover Pass Free Download
  • Self Working Card Tricks Download
  • Understanding Misdirection Free Ebook
  • Watch It Free Ebook
  • Wedding Exhibition Guide for Magicians
  • Confidence For Magicians
  • The Indian Shuffle

Filed Under: beginners, how to do magic tricks, magic advice, practice, sleight of hand Tagged With: magic advice, practice, sleight of hand

The Working Material of a Professional Magician

by Dominic Reyes 2 Comments

The working material of a professional magicianBy Dominic Reyes

Robert asks: 'As a professional magician do you always stick to your staple material or keep learning new magic tricks, and create new acts out of them all of the time? Also, if you do stick to your staple material, what do you do if you keep on getting repeat bookings as you cannot show the same magic tricks from your acts twice.'

Every professional magician is different, and I can only answer this queston from the point of view of a close up magician. Stage and Children's show magicians may have different ways of doing things.

On the whole most magicians will agree that they have a staple set of routines that they do over and over again at each booking. The magic tricks are built into 'sets'. Each set consisting of 3-5 magic tricks that fit well together. Some of the sets are built for walk-around and others are designed to be performed at guests tables. At most gigs, I have 6 of these sets that I rotate. I don't show the same tricks to groups of people near each other.

Core tricks

I've used many of the core tricks within my sets for the past 20 years. I know these core tricks deeply. I know they work, suit my character, and get great reactions. I've performed them so many times  that I have all the little details and subtleties ironed out. I have entertaining responses for just about any question or reaction that may be given by the spectators. This only comes from repetition and live performance, so these core effects are very valuable to me. The other tricks within each set come and go over time. I'm always keeping an eye out for something new to swap into one of the sets. That keep things fresh, and my interest going.

Adding new magic tricks

Adding a new magic trick into my working material is a hard process. A professional magician doesn't add new tricks into their repertoire just because they like the trick themsleves.

Professional magicians choose tricks for the audience rather than their own personal entertainment.

I may love a trick, but I won't add it to a set, because it doesn't suit the other material, the flow of the set, my style, or the audience that will watch it. Giving up on a trick that you love it hard to accept, but it doesn't mean you can't won't perform it for family and friends, it just means it's not in your working act. I play with magic all the time. In fact, that's part of my job as the owner of The Merchant of Magic, so I always have a deck of cards or a coin in my hand. But that is very different to 'building an act'. The whole key to professional magic is narrowing down your material to a select group of tricks that you will perform over and over again to different people. It's hard to find 'space for a new trick' within my sets, as I know they work well already. Sometimes I may take a new trick with me to many gig's but it never get's performed. My 'sets' work, and when it comes to performing, I follow the pattern I know gives a good product.

When it's the same audience

Like all working magicians, I get a lot of repeat bookings. However, the client is the same but the audience rarely is. I may do an award ceremony for a company every year, but the guests change all the time. If I do have people in a group that I have seen before, I still have 6 sets to choose from, so I've always got some magic they haven't seen before. It only becomes and issue if I've performed to the same people 6 events in a row, and if that happens, I'll show those people a few core effects and then something outside of my working sets that I reserve for family and friends. That sort of situation is very rare for me bacuse I have mainly have repeat clients that have different guests attending events.

Bispoke magic

I often offer clients bispoke magic as part of my service. It's usually corporate clients that want bispoke effects presented to their guests. For these bookings, I will create a few effects that take on a theme for the event, a products USP features, or a message the client wants to highlight to their guests. Again, I have a bank of general effects that can easily be adapted to these presentations. It's a small group of tricks, that can be changed to give infinite variations.

Summery

So that's my working material: 24 tricks

Each of these tricks have been 'mastered'. I know them TOTALLY and they are performed for the public over and over again. The tricks are grouped into small sets and rotated. I learn new trick all the time, but they are not part of my working material. Some may find their way in, but the majority don't. That's enough material to cover most repeat bookings.

Every magician is different. I've worked with many that change their tricks all the time and are constantly trying out new styles and material. Each person has their own way, but from experience, I think that most professional magicians work the same way that I have just described.

What do you do?:

How did you choose your working material? How many tricks make up your core working material? Do you plan which tricks you will perform? How do you deal with repeat bookings? Please share your advice in the comments section below:

  • 6 Free Magic Tricks From Jay Sankey
  • Anniversary Waltz Free Magic Download
  • Approaching Magic Practice Ebook
  • Approaching Tables Ebook
  • Recommended For Magic Beginners
  • Cagey Tutorial
  • Choose Magic Set Kids
  • Cloud of Smoke Free Ebook
  • Double Lift Project Free Download
  • Duplex Free Magic Download
  • Epoch Free Magic Tutorials
  • Electric Touch Free Ebook
  • False Shuffles and Cuts Magic Download
  • Faster Than Light - Magic Download
  • Finger-Exercises
  • How to Break In Playing Cards
  • How to Learn Magic Tricks
  • Tips for Leaving a Magic Gigi
  • LSQ Ebook - Free
  • Magicians Fees Ebook
  • Mistakes in Magic Ebook
  • More Icandy
  • The One Minute Magic Business Ebook
  • Pitfalls Magic Family and Friends
  • Safe - Free Magic Ebook
  • School of Cool Free Download
  • Sleight of Hand Beginners Course
  • Split Free Magic Video Download
  • Self Working Card Tricks Vol 2 Download
  • Sweet 360 Free Magic Download
  • The 80's Called Download
  • Self Working Card Tricks Vol 3
  • Think Tank Free Magic Download
  • Turnover Pass Free Download
  • Self Working Card Tricks Download
  • Understanding Misdirection Free Ebook
  • Watch It Free Ebook
  • Wedding Exhibition Guide for Magicians
  • Confidence For Magicians
  • The Indian Shuffle

Filed Under: how to do magic tricks, magic advice Tagged With: building an act, magic advice

  • « Previous Page
  • 1
  • …
  • 4
  • 5
  • 6
  • 7
  • 8
  • …
  • 41
  • Next Page »
Pick some magic goals for this year we'll help you reach them!

Answer a few simple questions, and we'll show you what we think you should learn next.

SEARCH THE BLOG

GET A FREE MAGIC TRICK


GET A FREE MAGIC TRICK

Download your free magic trick FINK courtesy of Ben Harris.

Fink is an interesting effect: a crazy concoction of Luke Dancy's GRAB, Ben Harris's Through the universe backwards, and Fandango. Created by Kyle MacNeill

BEGINNERS START HERE

BEGINNER MAGIC SECTION

LISTEN TO THE PODCAST

LISTEN TO THE PODCAST
Read Our Privacy Policy

RECENT POSTS

  • Best Stage Mentalism with Playing Cards
  • 15 Easy Magic Tricks for Grandparents to Amaze the Grandkids
  • Too Old to Learn Sleight of Hand? Why 48 (and Beyond) Is the Perfect Age to Start
  • How Often Should a Magician Replace Playing Cards?
  • How to Use a Svengali Deck for Multiple Tricks Without Raising Suspicion

FIND US ON FACEBOOK

FOLLOW US ON TWITTER

SEE WHAT’S JUST ARRIVED TO THE MAGIC SHOP

SEE WHAT'S JUST ARRIVED TO THE MAGIC SHOP

THE MAGIC SHOP

  • TESTIMONIALS
  • BEGINNERS START HERE
  • GIFT IDEAS
  • MAGIC SETS
  • CARD MAGIC TRICKS
  • CLOSE-UP MAGIC TRICKS
  • MAGIC DVDS
  • MAGIC BOOKS
  • COIN MAGIC TRICKS
  • PLAYING CARDS
  • MIND MAGIC TRICKS
  • MEET THE TEAM

SEE WHAT’S COMING SOON

SEE WHAT'S COMING SOON

PAUL HARRIS SECTION

PAUL HARRIS SECTION

ELLUSIONIST SECTION

ELLUSIONIST SECTION

JAY SANKEY SECTION

JAY SANKEY SECTION

Copyright © 2026 · Genesis Framework · WordPress · Log in