How to do Magic Tricks

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Getting Caught Out Performing Magic Tricks – Magician Eric Jones

by Merchant of Magic 15 Comments

Magician Eric JonesProfessional magician Eric Jones recorded this short video for The Merchant of Magic, in which he revealed a valuable secret to becoming a better magician. He told us about something that he wished had been different, when he started out learning his magic tricks.
When you perform your magic tricks, do you ever worry about being caught out and the magic tricks secret being revealed?

For many magicians, their worst fear is that they may have accidentally flashed or revealed a move, forget an important misdirection point, or inadvertently telegraph a sleight. In that moment,  the magic trick has failed. The magician is busted, his secret revealed, and everyone knows it. Is that really the worst thing that could happen?

 

Eric Jones understands that magic practice is often motivated by fear. Once you go through the process of learning the moves, timing and presentation for your magic tricks, you start a much longer, and painful process of building up confidence in your performances and techniques.

You continue practicing the magic tricks with a critical obsession for detail far above the level of perception that your spectators will give the performance. That’s a good thing, as long as it does not prevent you from performing. Without live performance being part of the process of mastering a magic trick, you won’t gain a full understanding of the dynamics and social aspects of the magic tricks. You need to test out your magic tricks on live spectators.

Honesty

Building up confidence requires testing your magic tricks with live spectators. Eric Jones recommends that you watch their reactions and learn from their feedback. The more feedback you get, the more you can adjust your technique and presentation. However, the feedback must be honest.

Getting honest feedback is harder than you would think. Your family and friends care about you, and don’t want to hurt your feelings. They know how much time and attention you put into your magic tricks and how important they are to you. Because they love you, they don’t want to hurt your feelings, so will often tell you what they think you want to hear. They are forgiving if you have accidentally revealed a secret techniques, and because they like you already, they don’t need to be won over by your personality. This makes it very hard to get REAL honest feedback from them.

Even professional magicians find getting feedback from ‘strangers’ hard. People, on the whole, are polite and easy going. They feel embarrassed if a magic trick does not go right, and they are unlikely to point out details. They want to be entertained and for your magic to work. Some people who give you feedback may be drunk, be motivated by wanting the groups attention, or simply wanting to be funny. Knowing how to filter the real constructive feedback from the ‘noise’ can be a challenge.

Regardless of who gives you feedback, there is another element that needs to happen from time to time, for feedback to be the most constructive. It’s uncomfortable, but magicians benefit from:

Being caught out

Every magician gets caught out every now and then, when it comes to live performance. A spectator may catch a flash of a coin, the corner of a card that’s in palm or simply reverse engineer the magic trick in the middle of a performance. The more experienced the magician, the less that happens, but it still does for everyone, now and then.

Professional magicians worry about being caught out far less than beginners. Not just because they are more experienced with the mechanics of the magic tricks, but because they understand that it is inevitable and will not ruin everything.

If a flash happens, only one or two people may catch it. Most people won’t say anything, and the magic moves on quickly to another climax point and the ‘flash’ is forgotten. They may see something odd, but it does not expose the whole method, so the magic trick can still entertain them.

Magic is interesting, and that’s it’s most important ‘feature’. Being entertaining is far more important than your technical skills. Technique should be perfected, and your skills developed to become the best they can be, but audiences are much more forgiving that magicians think. Your audience will be happy as it is being entertained. The danger comes from your act being dry and boring. Then, you are only holding the audience’s attention through your technical skills. If they fail, the audience is left with nothing, so the entertainment factor can only come from reacting to your mistakes. If this is happening to you, then you need to work on making your act entertaining, and interesting FIRST, then move on to sharpen your technique.

Do This:

  • Make a point to seek out feedback whenever you can.
  • If you make a mistake, don’t give yourself a hard time about it.
  • View getting caught as a learning opportunity.
  • Take careful note of it and write about it in your magic journal, just after the show.
  • Think about a few ways that you could have prevented the mistake from happening.
  • Building up notes on how you could have improved each situation.
  • Seek out honest opinions, no matter how painful they may be.

Related Posts: 

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How to learn coin tricks

Things to do when your magic tricks go wrong

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Filed Under: Card Magic Tricks Tagged With: coin magic, Exposure, magic advice, Magic trick secrets, magic tricks, Magic tricks revealed, Magicians, performing for the public, Practice magic, Video Podcast

Lawrens Godon Interview – Coin Magic and The Dynamic Back Thumb Palm

by Merchant of Magic 1 Comment

Magic InterviewDominic Reyes caught up with coin magic expert Lawrens Godon for a chat about how he structures his act, his performing style, and the  development of his Dynamic Back Thumb Palm.

Lawrens is self taught, having fashioned his performing style and techniques through many stage shows such as the Olympia de Paris with Nilda Fernandez, and on TV shows such as”Sacrée Soirée” by Jean-Pierre Foucault,  and “40 degrés à l’ombre” by Vincent Perrot. His coin magic caught the attention of some magicians working on experimental coin technique, leading to high praise indeed:
“The Coin Magic of Lawrens Godon is incredible! I was completely fooled. I had long awaited the release of his DVD on the Dynamic Back Thumb Palm…” – Ponta The Smith“
I spent some time with Lawrens during the European Coinmagic Symposium in Milano and had an opportunity to see some of the most difficult coin magic look absolutely effortless. Anyone who can muscle pass a coin directly into Harada Hold EVERYTIME is someone I need to watch…closely. I recommend Lawrens Godon’s work to anyone.”
– Eric Jones

Dominic Reyes: So, What do you most enjoy about coin magic at the moment?

Lawrens Godon: Today, what brings me the most fun is improvisation. As a musician I use chords, melody and rhythm. Magicians can do the same with all the techniques, props and misdirection out there at our disposal.

Dominic: In what way? Improvisation of your patter or the full act?

Lawrens: There’s a trend in magic named Jazz Magic, so there’s the possibility to ‘Jazz’ our coin magic!
It’s a wonderful feeling, because it’s possible to directly interact with the audience… for example, keeping various coins in some pockets, a wand in the inside jacket pocket, a silk or two, and depending on what the spectator talks about, I’m ready to improvise some magic trick. Maybe it will be with just a coin (a coin flurry), maybe I will produce the wand too and from here improvise a sequence, or/and I make a coin appear on a spectator or/and in their surrounding (under a glass, for example).
 See what I mean?
 Doing this, I’m free and very often I can respond to a direct wish from the spectator.

Dominic: Are all your magic sets formed ‘of the cuff’ do you also follow performing patterns?

Lawrens: Yes, I often do the classics, 3-fly, cylinder/coins, etc…
 But the point is to be free with your magic, and not stuck in a foregone plan, because each audience is different and they each deserve a personal magic act.

Dominic: That’s interesting. You have a structured pattern of the classics as a foundation, which then allows you to come away from it as each audience brings it’s own situations.

Do you think this approach influenced the development of the Dynamic Back Thumb Palm you teach in Moneypulation Vol 1?

Lawrens: I wanted to share what I discovered in the field of coin magic. I thought that my work would be worth of interest for my fellow magician friends, because the move I developed, is in fact a complete system of manipulation…
  Just imagine: You show a coin, slowly take (or put) it in the other hand. They clearly see the hand EMPTY, so they can’t help but assume that the coin is where it should be.

Now you open the closed hand, and the coin is gone… this is so strong, that you don’t have to “psychologically” justify your actions.

The same goes with the classic moves, such as ‘Shuttle pass’, ‘Click Pass’, False Count, etc…  all adapted to the Dynamic Back Thumb Palm.

Dominic: What lead you to develop the move?

Lawrens: The traditional method of doing the Back Thumb Palm is by first holding the coin between first and middle finger, then from here placing it into position. 
I wanted to change that and to begin by showing the coin in a more natural way, i.e. between thumb and forefinger. That was my first step.

Also, the old Back Thumb Palm is meant to be use in a very specific way, with the palm of the hand facing upward at belt level. I wanted to make the manipulation more dynamic and versatile…
 So now the actions happen in front of the magician, at chest level, opening a whole new dimension for vertical coin magic.

Dominic:What about angles?

Lawrens: I would say that the move is a lot more covered with my method than with the old one, where one would be fixed with the hand at the side, and left with not so many possibilities…  With the hand on the side, you are very exposed from the side and the back.
 My method allows you to be covered from all angles: back, sides and front.

Now here’s a tip: The simple fact of doing the Dynamic Back Thumb Palm covers your angles!

Test this with some friends seated at a table : do the ROV and place the coin in the Dynamic Back Thumb Palm, keeping the arms slightly raised. You will discover that the arms block the bad angles from both sides toward the coin which is in Dynamic Back Thumb Palm! This is known as arm blocking technique…

Dominic: But what about in standing situations?

Lawrens: That’s the only condition where Dynamic Back Thumb Palm would be more difficult to use. In walk-around, such as cocktail events, where the magician and the spectators are standing up…
Then it’s up to the magician to adapt his repertoire to the conditions.

Dominic: One of the things that most impressed me about your magic, is the care and attention to psychology, build into the routines. So much of your work shows a very good awareness of behaviour, and how it can be channelled into the magic. Can you give us another example of this?

Lawrens: Sure.. You may know that the fact of showing the palm of the hand is a very strong signal of non-warlike, peaceful behaviour, which belongs to the collective unconscious.  So strong a signal that scientists picked it amongst others to represent humanity in a symbolic message, The Pioneer Plaque, which is affixed on the Pioneer 10 spacecraft… the man shows the inside of his hand to be empty… Think about how you can apply this to your coin work.

Moneypulation Interview

Huge thanks to Lawrens Godon to take time out for this chat. Lawrens raised some interesting points about routine structure here. He used a jazz magic style, which is very popular with working magicians. However, he does explain that he also uses classic routines that have been rehearsed and structured, so that he can fall back on these when needed.

As you develop your magic, it’s important that you focus on creating a set of structured, rehearsed and mastered routines, before you move into improvisation. The reason for this is: Keeping consistency in your magic act. Your reputation is only as good as your last performance. Jazz magic has an unpredictable element, which is one of the reasons it is so popular. Improvising your magic ‘as you go’,  keeps things fresh, but sometimes life throws something unexpected at you, and you need to have a safety net to fall back onto.

Lawrens publishes an interesting magic blog in which he posts magical and creative thoughts and links from around the web. It’s well worth reading!

Questions for you: How do you structure your coin routines? What are your experiences of using the Dynamic Back Thumb Palm?

Make sure to leave your thoughts in the comments section below:

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Filed Under: Card Magic Tricks Tagged With: coin magic, coin tricks, interviews, showmanship

Best Coins for Coin Magic – US Coins Vs. UK Coins

by Merchant of Magic 3 Comments

 Coin Magic TricksBy Dominic Reyes

Dan Asks:

‘What is your opinion on using Dollar coins in the UK? As a beginner to coin magic, I read that it may be more natural to use UK coins, but in terms of learning the sleights, the UK coins are small and troublesome. Just wondered what are the best coins for coin magic?’

 

A LOT of beginners that come to the magic shop are are unsure which coins to use for their coin work. It’s even one of the excuses magicians use for not learning coin tricks. We can’t have that… So, Here’s a quick lowdown on the current UK best coins for coin magic

Good and Bad UK Coins:

5p and 1p : Very small but many of the 1p coins have steel content, so they work with magnets. These small coins are perfect for loading on people, more like markers and ‘chips’. For coin sleights, a larger coin is usually needed.

2p coin : Excellent practice coin. Still small, and not many gimmicks are produced for it as it’s steel content makes it both expensive and hard to gimmick

10p coin : A good silver contrast to the 2p coin but the rounded worn edge and smaller size make it extremely limited for manipulation.

50p coin : Great coin for sleight of hand. The shape pretty much rules out using an expanded shell. Getting a coin box that will work for 50p coins can also be a challenge. Because it’s a decent size, the coin is often gimmicked for UK versions of many tricks designed for the half dollar.

£2 coin: A very popular choice. Limited for multiple palm work and the bi metal design stop £2 coins being a popular coin for gimmicks. Once you get used to the thickness, this is probably the best coin to use for professional performances.

£1 coin : pretty pointless. OK for some coin gimmicks, but not for sleight of hand.

I’m going to suggest to you the BEST coins to use for learning coin magic. I will then tell you about the best coins to use for professional performance. Before I do that, I should tell you about the process I went through to come to that choice:

When I first began learning coin magic, I picked up a copy of Bobo’s Modern Coin Magic, 5 half dollar coins and 5 old english pennies. The pennies are pretty much the same size as the half dollars, but copper rather than silver, so they make a nice contrast for colour changes. I chose those coins because that’s what everyone seemed to be using. They appeared to be the ‘standard’ for coin magicians.

Happy in my coin magic Bubble.

I worked with those coins for a few years and didn’t consider using any other coins. I thought that those coins were THE coins that  every coin magician should use. This attitude was reinforced as I watched magic videos, specifically the work of David Roth. In retrospect, I think that was probably not a bad move. Choosing one type of coin simplified my practice, and the development of hand dexterity as I practiced.

At that time, almost all the coin gimmicks were produced for half dollar coins, so I was able to pick up a range of coin boxes and gimmicked coins that all fit in together. The only real exception to this was a few manufactures such as Eddie Gibson that made UK coin tricks. These tended to be stand-alone tricks like coin unique and cig thru coin tricks. They were nice, but tended to use a £1 coin, which is pretty much useless for most coin manipulation.

The joy of a UK 2p coin.

I once visited Gary Jones, when he owned a small magic shop in Trago Mills, Devon. He showed me his performance of David Roths ‘hanging coins’ routine, with 2p coins, and I liked it very much. Partly due to Garys excellent performance, but also, it was the fist time I saw coin magic performed with small coins, in a way that didn’t lack impact. I started playing with the 2p coin in my practice sessions after that. Then I had the good luck to stumble on a 2p coin expanded shell. Suddenly, I was able to work on my coins across routines with a standard coin. 2p coins have a well defined edge which makes them a joy to palm. They are rather small, but that makes them nice and easy to manipulate.

I still preferred the US coins though as the size was more impressive.

Larger coins look harder to use, but in reality, the size doesn’t matter as much as the edge definition.

I found myself practicing with UK 2p coins but performing professionally with my familiar US and old English coins.

The £2 coin was born.

This was a breakthrough for me. Finally, a coin was being minted that was of a decent size for coin work. The thickness was a real issue though as multiple coin palms become very limited. The Bi-metal design has limited the range of coin gimmicks that could be made, and to this day, most of the £2 coin shells and gimmicks tend to be terrible. The coin was great to use, and I switched to it, for just about all my coin magic tricks.

Dazzled by silver.

Then back in the late 1990’s I decided to treat myself and have a custom set of US Morgan Silver Dollar coins remilled for me. They were 100 years old, so the surfaces of the coins were worn, and smooth (That makes them quiet as they slide across each other.) The edges were milled again, so they had a good grip. I fell in love with these coins the first moment I played with them. Honestly, I know it’s geeky, but using large solid silver coins gives you an awesome feeling. They feel smooth, and I can only describe the feeling as ‘chocolaty’ to use. The difference in the way they handle is the same experience as eating a square of dairy milk and then trying a square of galaxy chocolate. Does that make sense?

Silver dollars are large, look stunning, are fascinating for spectators to examine. The coins can have a story woven into them, and the sound of them ‘talking’ together in your hand is lovely.

They aren’t normal coins!

The way I see it, there really isn’t anything ‘normal’ about a magician. Why should I limit myself to only performing magic with everyday objects? Nothing wrong with doing so, but that would be a theme to your magic and your persona. I don’t use cheap ‘waddingtons’ bridge size playing cards. I don’t use a mug instead of a chop cup, washing line instead of white stage rope, and my sponge balls.. well, they look very odd indeed!

It may be different for me as I’m performing professionally as opposed to doing tricks for my friends socially, but I know I’m not alone, in finding that spectators have no problem with unusual coins. After all, you start off my letting them play with the coins. Something that would be quite odd to do, if they were normal UK coins.

If you use unusual coins, make them a story. There are tonnes of ways you can build in an introduction for the coins:

‘Would you like to see something from a LONG time ago?’

‘Look at these coins, That ones been traveling since 1908 to be here today, that’s quite a journey…’

‘I’m going to show you an old fairground game, used for years, to SWINDLE people..’

‘Look closely at these coins, They have changed hands so often, that they now do it all by themselves…’

‘Have you ever wondered why we REALLY refused to join the Euro?’

‘These US Dollars are becoming harder and harder to find in the States, and for good reason, let me show you why they are disappearing….’

 

 

Which coins are best for magicians?

It’s very much a personal choice. At The Merchant of Magic,  we start personal tuition students off with UK 2p coins. The 2p coin is very easy to manipulate and don’t put people off learning because of their size. There aren’t that many good gimmicks in 2p versions, but that doesn’t matter, when it comes to learning the core techniques in coin magic. You really only need a few coins and an expanded shell.

If you want to use coins that look normal, the £2 coin is, in my opinion, the best coin to use professionally. It’s large enough to show the action and very visible.

If you don’t care about ensuring that the coins you use are ordinary every day objects, I would recommend playing with Old English pennies pressed in 1967. They can be polished or dull, are slim, and the edge makes them extremely easy to use. Contract this with a US Half Dollar for a silver coin of almost the same size.

If you want a very large coin, that will grab spectators attention, go for US silver dollars. They are easier to use than they appear. Silver dollars look and sound stunning.

Image courtesy of Gavjof
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Filed Under: how to do magic tricks Tagged With: beginners, coin magic, coin tricks

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