Help – People Want to Examine My Gimmicked Playing Cards

Christian is worried about people asking to examine his gimmicked deck of playing cards. He writes:

'I use a Pop Eyed Popper deck. The spectator maybe ask for a closer look at the deck of playing cards. That's not possible.'

That's a really good question, and one that is asked quite often, when magicians are worried about using gaffed or gimmicked decks of playing cards. Here are 5 tips for what to do when you find yourself in the situation when a spectator asks to examine your deck of playing cards.

1) Why they are asking?

If a magic trick has been routined correctly and the magic builds to a suitable climax at the end, your spectators should be reacting to the magic that they have just witnessed. It's an issue of 'engagement and reaction'. The magic trick should entertain them, and draw them into the experience, so the magic isn't perceived as a 'puzzle'. If you find that spectators just ask testing questions, at the end of a trick, look at your presentation and think about ways to make the magic have more impact or for their reactions to be increased. Are you unintentionally presenting the magic trick as a puzzle? Are you signalling that the magic trick is just a 'question' that prompts the spectator to think of 'answers'. Changing a few lines of presentation and see if that fixes the issue.

2) Look for gimmicked decks of playing cards that can be switched in and out of play.

Many gaffed decks only need to be introduced into play for a short period of time. Once they are used, they can be put away or switched out for a regular deck. Think about ways of switching your decks, or ditching out the gaffs when they are no longer needed. There are many devices on the market that will switch a deck easily if you prefer to avoid sleight of hand methods.

3) Build in convincers.

Many of the better gimmicked or gaffed decks of playing cards have built in systems to convince spectators that the decks are normal. The Pop Eyed Popper Deck is designed to be spread both face up and face down, so all the cards are shown to be normal. Try to avoid making a big deal about the fairness of the playing cards you use. It should be assumed that they are normal, so over proving the point can work against you and raise suspicion. The routining of the magic trick should be developed, so the playing cards are shown as much as possible in a natural way throughout the trick.

4) It doesn't happen often.

Much of the worry about spectators asking to examine your cards happens before many beginners start performing. They think that spectators will automatically be looking to try to catch them out. Part of this feeling comes from being a magician. As you have been focusing on the method for the trick, it's easy for you to forget that the method is not central to the attention of your audience. They only see the presentation and magical effect that is produced. This feeling can be reinforced for beginners as they tend to perform for their friends in informal situations. Your friends probably enjoy nothing more than trying to tease and catch you out, because that's what friends like to do generally. It's just as much fun for them to challenge you because they are not in a situation where you are there to perform for them. The normal rules of play are very different between a group of friends having fun, and a group of spectators watching a magic performance. In normal performing situations, it's actually VERY rare that people will stop the show to examine props.

5) Relax about the situation.

The most important thing to remember is to relax about it. There isn't anything wrong with simply putting the deck in your pocket if you start to get challenged and giving the spectator a big smile. In just the same way as a stage illusionist wouldn't let everyone rush up onto the stage and examine their illusion equipment. If you find yourself in the situation where a spectator asks to play with the deck, simple pop it into your pocket as they ask the question. Laugh and move on to the next thing that you want to show them.

Got some advice about how you handle people asking to examine your playing cards? Please share your thoughts in the comments section below:

Why Simple and Clear Magic Tricks Work Best

by Merchant of Magic Leave a Comment

Performing magic tricks is a remarkable hobby, that once you’ve dipped your toe into its waters and begin to learn and discover new moves and sleights bigger and better magic tricks begin to come together. But it’s all to easy to fall into a common trap. That trap is losing sight of what is strong magic.

Sure, there are some amazingly clever routines full of wonder and intrigue, that take dedication and practice but are these routines really strong magic for spectators? We need to remind ourselves that spectators tend to remember uncluttered and clear magic tricks more than long routines.

The reason they remember shorter magic tricks rather than multiple phased routines is because they can explain what happened easily. This is a extraordinarily important point. They can break it down into one or two steps. If you want people to talk about your magic, you need to do magic tricks they can explain easily to their friends.

Here are a handful of magic tricks that spectators can describe and remember very easily.

To the Max (ice cube production)

Labelled

Spend a moment watching the performances of these magic tricks. You’ll notice that each of the magic tricks can be described in a single sentence. That is what you should aim for if you are looking to leave a long lasting impression with the spectators.

The strongest magic tricks fall into three categories:

Something changes
A Transposition happens
Something vanishes

If you can incorporate these elements into your magic tricks yet keep their simplicity, you will find your magic to be much stronger, more memorable, and spectators will talk about it for a long time.

DO THIS: Grab a piece of paper. For each of the tricks you perform, write down what happens. Imagine you are describing the magic trick to a non-magician friend. Can you fully describe the trick in just one or two sentences? If you can’t, what do you need to change in the method or presentation to simplify the magic trick?

What magical event actually happens? Is it a vanish, a prediction, a transformation or a levitation? Think about what happens during the presentation that doesn’t directly lead to, or result from that magical event. How can you remove as many actions or processes as possible that aren’t part of it?

The Top Opener Card Tricks For Magicians

by Merchant of Magic 6 Comments

Card tricks can be a great choice for the first magic trick you perform for your spectators. The first magic trick is often refereed to as an ‘opener’ by magicians.

“Your opening effect must achieve two very important goals. First, it has to win over the audience. Second, it should set the tone or the rest of the act.” – Strong Magic Darwin Ortiz

Card tricks that will be used as openers need to meet some requirements:

1. The card tricks need to be fast.

Trying to perform multi phase tricks with a long build up before the magic happens can easily switch off your spectators attention. You have the groups attention, so your tricks should create a magical event as quickly as possible.

2. Perform visual card tricks.

Card tricks that have a strong visual element work really well. This captures the audiences attention. Visual tricks require less thought from the spectators, who will not be as engaged in your performance at this point.

3. Make sure it’s amazing.

These first magic tricks need to hit them hard and show them something totally impossible. People will judge the quality of your whole act, by the first magic trick you show them. Make sure the magic tricks you choose as openers, establish your skills and demonstrate how entertaining you are.

4. Easy to perform card tricks.

When you approach a new group of spectators, you will be doing several things at once:

Introducing yourself
Setting the tone
Assessing the group dynamics
Defining your performing conditions
Setting pace
Capturing attention
Establishing control

Using card tricks that are easy to perform as your first tricks, gives you one less thing to worry about. If you are ‘breaking in’ new material, it may not be wise to use them as openers, until you are very comfortable performing them.

5. Set a good tone for the rest of the performance.

The card tricks you use as openers will set the tone for the rest of the ‘set’. What is your magicians persona? Which card tricks would help to communicate this to the spectators. Choosing tricks with a comedy presentation, before moving into a dark mentalism act, wouldn’t flow correctly and will confuse the spectators. Build each of the tricks into ‘set’s that have a common theme and select an opener that sets the tone and style of the whole act.

Here are some suggestions for good openers. You can learn them from most good magic shops:

The Invisible Deck
The Chicago Opener
Stand Up Monte
Identity
Ambitious card
Satisfaction Guaranteed

Using Sleight of hand.

An alternative to structured card tricks, would be to perform some card flourishes and manipulation as an opener. This would establish your skills and grab attention. With card tricks, magicians are fighting against the “Card tricks Uncle” cliche. Performing some flourishes, or a demonstration of sleight of hand can establish your credibility right away.

Performing a series of colour changes would also be a great way to capture attention and set a pace for the rest of the card magic.

NEXT: The 5 Best Sansmind Tricks Every Magician Loves