How to do Magic Tricks

Advice and Support for Magicians

Question to Magicians : Is Magic an Art?

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Is Magic an Art

 

We asked the following question to a large group of magicians:

Is magic really an art?

Responses:

Perry Brangman I believe magic meets all these definitions!
art /ɑːt/
n 
The creation of works of beauty or other special significance
(as modifier): an art movement 
The exercise of human skill (as distinguished from nature) 
Imaginative skill as applied to representations of the natural world or figments of the imagination 
The products of man’s creative activities; works of art collectively, esp of the visual arts, sometimes also music, drama, dance, and literature
(as modifier): an art gallery 
Any branch of the visual arts, esp painting 
Any field using the techniques of art to display artistic qualities
(as modifier): an art film 
Method, facility, or knack: the art of threading a needle, the art of writing letters 
The system of rules or principles governing a particular human activity: the art of government 
Artfulness; cunning 
Get something down to a fine art ⇒ to become highly proficient at something through practice
Steven Holt Magic is definitely not an art form. Most magicians look too far into magic & think about it 24/7, then convince themselves it’s an art form. Anyone can learn to do magic. This is when magicians start taking themselves too seriously; when I switch off. Turner, Rolf Harris, Van Gogh, now they’re proper artists, not magic! That always makes me laugh when magicians think magic is an art form.
Simon Caine Steven, anyone can learn to paint. That doesn’t make every painter an artist.. My two cents, magic isn’t an art, but some magicians are artists.
Max Ridley Yes it is. It brings people together, and produces an element of surprise.
Tony Lawrence Of course it is, it requires study, practice, dedication and skill.
Alberto Kowes Art is a kind of expression that will stimulate our senses. perhaps isn’t that magicians do?
Jack Cooper Magic can make people cry, it can surprise people, and it can also make people angry. It does what art is supposed to do, it evokes a reaction. Magic is an art form, don’t let anybody tell you otherwise.
Sy Williams I find that the way you perform a reveal can be the most artistic moment of the performance.
Sam Fitton The whole question and subsequent answers hinge on your definition of ‘art.’ In my opinion, an art is something that generates an emotional response from the intended audience of that art. Therefore magic, if performed by a skilled artist, is an art.
Daniel Kirkwood Absolutely, magic is an expression of feelings, dedication and skill.
Cris Cobra Magic is an art, for 2 reasons:. You learn the art of using the possible elements for your performance (water, fire, air, not earth), and your creativity is in the magic. It’s your art that makes the illusion better.
So what do you think?  Share your thoughts in the comments section below:

 

Steve Shufton Interview – Naturalness, Practice of your Magic Trick

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Naturalness in MagicSteve Shufton is a highly respected inventor and manufacturer of high quality magic tricks and props for professional magicians. Known for his own distinctive creative style, Steve’s inventions are used by magicians worldwide. X-Ray is one of the MoM teams favourite tricks.

Dominic Reyes caught up with him, to ask a simple question. Steve’s experience in magic is formed by years of performance, not just to the public, but also to a much harder crowd to please: Magicians!They provide valuable advice for magicians at any stage in their career:

Dominic Reyes:If you could go back to the start of your career what three things would you do differently?”

Steve Shufton: This is certainly an interesting question, especially since it is difficult for me to define precisely when the start of my magic career was.

Dominic:So it’s hard for you to locate an exact moment that your career started?

Steve: In a way, yes. Was it when I was bitten by the bug? Was it when I gave my first performance as a child? Was it when I started to earn a substantial part of my living from magic?

Dominic: Your saying that a magic career isn’t necessarily defined by professional performance?

Steve:I knew, the very first time I attempted to learn how do a magic trick, that this would remain a curiosity for life – I was bitten, and had it bad. Where did the coin go? How can I learn to do that? So, this certainly must have been the start. After all, some of the very best magicians in the world are “amateurs,” who have also embarked on a magical career, although an unpaid one. Why should they be excluded from the conversation? Yes – although I make the greater part of my income from magic, I do not earn my money from performance – I earn it from inventing and manufacturing.  I have to fool professionals – never mind the lay audience. And yes – I make my money this way. But since I do not earn the bulk of my income specifically through performance, I am little different in that regard than an amateur.

Dominic: But, you agree that there is a difference between you as professional or amateur?

Steve: If there is a difference, I would say it would have to be 50 years of practice and performance experience, although in close quarters, thereby qualifying me to offer my opinion on this matter unashamedly.

Dominic: So, looking back, what would you do differently?

Steve: As a child I remember being so eager to “present” each new trick, it frequently happened on the same day I read it or purchased it. The word “present” is in quotes, because this was not a presentation at all! To properly present any effect, certain phases of learning the effect must first occur.

Dominic: Can you explain this process, in more detail to us?
Steve: First, you must study the effect with your mind – with your inner eye. You are to convince an audience that you have done something, using only magic as a possible explanation. Therefore, understanding what an audience will perceive is of highest importance! Is fumbling, stuttering and rocking back and forth as one tries to recall the steps in achieving a goal magical? The answer is self-evident. I wish, as a small child, someone had held me back from demonstrating any effect until I fully understood the effect myself. If I could go back to my first experiences with magic, I would take much more time only contemplating the effect.

Secondly, the working of an effect must be second nature. A pianist (I happen to be one) must practice music until it is deep in the soul. It must proceed from within, without any thought process intervening with the outflow of music.

Dominic: Why is that important?

Steve: Because, otherwise, it remains an intellectual exercise and will never come across as something natural and beautiful. Dai Vernon, when he offered the advice, “Be natural,” was offering the most profound advice for the performance of excellent magic. In order to be natural with your magic, you must practice it until it transcends the intellect – transcends thought. It must flow out of you as if you have been doing it your entire life – just like walking.

Dominic:That makes a lot of sense. We receive a lot of questions from magicians, who resist the practice of rehearsal, through fear that their performance will sound too ‘staged’. We recommend that their practice should continue WAY past that point, until a naturalness develops from the total familiarity with the ‘lines’. What’s the final stage?

Steve: Finally, it would be a good idea to learn as soon as possible that the trick is not the entertainment. You are. The effect is simply a vehicle for entertainment. Many beginners think that by showing a spectator what arrived in a box this morning, they are providing entertainment.

Dominic: And that’s not the case?

Steve: If that were, we wouldn’t need magicians at all – only boxes of stuff. The solution is to have a presentation. This far outweighs needing a trick! The difference between a good trick and a bad trick is often the presentation. If you are just showing them something, you are not doing your job as a magician. You are the show – the tricks will always be secondary to that.

Dominic: So what practical steps can magicians take to prevent that?

Steve: Find some way to make the effect yours. Imitators will never be as great as originals. Develop rapport with your audience. Take the time to develop a worthy presentation. Practice it as much as you practice the effect – until it becomes second nature and your delivery is natural. Lose your ego and let your audience into your world. Learn from your mistakes. Accept criticism. Have fun!

The Merchant of Magic would like to thank Steve Shufton for taking the time to give us this interview.

You can check out the Shufton range of magic here

Also check out the DVD set: wrinkles on the table, it’s a supurb collection of original moves and magical thinking from over 40 years of performing experience.

I Hesitate When Performing Magic – Saying Umm and Err

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Hesitate when performing magicMark writes: ‘I hesitate when performing magic, and say ‘Ummmmm’ a lot when I perform, how can I prevent this from happening?’

This, Ummm, is a common problem with, err, performances and any public speaking.

There are a few tips and tricks to help overcome this, err, problem!

1) Be aware of this problem!

The first step is to be aware of when you are saying Ummm and err. This usually happens when you are thinking about either what to say or what to do. The only way to overcome this issue really is to know your patter, know your routine structure and to know your sleights. This should be learned in practice, of course you can ‘jazz’ a magic performance, but you must know the core principles of what you are doing inside out first.

2) Plan what you are going to say.

This does not necessarily mean you have to fully script your magic performance, if this does not suit you then that is OK. What it does mean is that you should know roughly what key points you are going to convey to your spectators. Think of bullet points in your mind and clearly understand where you are going with these points.

3) Slow down

If you analyse your performance, you may not realise that you are talking or performing your magic too fast. A true professional knows how to slow their magic down; this makes everything more convincing and enjoyable. Try this… Video tape yourself performing, this is so much easier in this day and age as everyone has a phone with a video function on it. Set the phone up and run through a routine with some friends or family. When you watch it back you should be watching out for things like your timing, you enunciate your words and how quickly you are speaking. At first you will probably find that you are a mash up of hesitations, pauses and speaking quickly. This will most likely tie in with the pauses being when you are thinking of a sleight and the fast speaking moments will be when you are actually performing these sleights. See where you can slow down and where you can speak more fluently. If you can identify these moments in your routines, apply that knowledge in every magic practice session and performance from there on in, you will find your magic performances improving dramatically.

4) Pause and be silent

When performing a second can seem like a lifetime in your mind. The thoughts running through your head can be intense and overbearing, remember this is all in your head, not your spectator’s. Your inner monologue is your own and as loud as it may seem to you your spectator’s cannot hear it, they are not influenced by it or affected by it. A momentary pause can seem like a long time to you; however, it is most likely to be only a second or two. A silent pause for a second or two can seem thoughtful and interesting; a seconds worth of ‘ummm-ing’ or ‘errrr-ing’ will come across and uncertainty and will make you seem unsure of yourself. As a magician,  you should always be in control a lot of ‘ummm-ing’ or ‘errrr-ing’ can undermine this image of control. So remember a moments worth of silence

5) Relax!

One of the best ways I have found to counteract  when you hesitate when performing magic is to relax myself before performing. Take some deep breaths and centre yourself before performing. Fill your lungs with air and breathe out slowly, do this a few times and feel your heart rate go down. Let the tension in your body slip away as you do this, it is almost a form of self hypnosis. You will find you are in a much better place when you go to perform, and everything will flow better throughout your routine. If you feel nervous, there are techniques you can use to reduce these feelings.

So these are my 5 tips to help counteract the Ummm-ing and errrr-ing that can plague your performance. Try them out, you will be surprised at how effective it really is. The first step is to identify how much these hesitations occur. Simply being aware of this issue will reduce the amount you do it. I really hope these tips help.

 

NEXT:

Magicians use a metronome to practice

The Best Performing Speed