How to do Magic Tricks

Advice and Support for Magicians

How Do I Keep My Old Magic Tricks Fresh and at Their Best?

by Dominic Reyes Leave a Comment

How to keep your magic tricks fresh.

By Dominic Reyes

If you perform magic tricks often over many years, it's important to keep it fresh and at it's best. Lets look at how magicians can keep their performance sharp over time.

A few months ago,  I updated my Macbook to the latest model. I started it up, went through the welcome set up and was confronted by a brand new, factory default desktop that was full of possibilities. There was no clutter, no random documents that I had forgotten about and no bloatware apps hanging around. Everything was fast,  new and tidy. It felt like a fresh start, full of the productivity possibilities.

Now, it’s a few months on, and things have changed. My documents folder is stuffed full of half written blog posts. There are stacks of apps that I probably will never use. The laptop has lost it’s new and shiny glow, becoming just my office for coffee shop work days.

Just like getting a new computer, buying a new car, or moving house. That feeling of starting again and staying fresh never lasts. We get used to things very quickly, and the excitement that ‘new’ gives us is fleeting.

The same thing happens with magic. Each new magic trick feels like a new world of possibility. It’s the focus of all your attention, and you can’t wait to perform it as much as possible. However, over the process of practice, rehearsal and performance things change.

Familiarity doesn’t always breed contempt. It usually just produces boredom. Boredom leads to cutting corners, and pulling back the energy that you communicated to your audience when you performed the magic trick originally. How can we stop this from happening?

Things that have to stay the same still change.

Take a look at one of the favorite magic tricks you have purchased. Chances are you are performing it in a similar manner to the way it was performed in the instructional DVD that came with the props, or how the magician who published it, tends to perform it. It’s the established routine that most magicians use.

However, over time you may have added your own expression to the presentation. Your own one-liners, timing, back story and moves. Adaptions sometimes happen slowly over time as fellow magicians suggest changes or additions, or spectators show you the ‘impact moments’ in performance, when an adjustment would improve their reactions. The performance changes slowly over time. There’s a name for this:

Performance drift.

Have you ever noticed how people that sell newspapers on the streets have strange ways of shouting out the name of the newspaper? Or how market stall owners shout out about their wares in a garbled way. It’s an example of performance drift taken to the extreme. They have said the sentence so many times that it has started to degrade, and they don’t notice it themselves.

In just the same way, our own performance and presentation of a magic trick degrades. It’s just part of nature. Familiarity and repetition slowly introduce tiny errors or shortcuts in our presentation and patter. It’s a very slow process, so often goes unnoticed because we run on autopilot and have become bored with the magic trick.

Reset the Matrix.

Every now and then, take time to go back to the beginning and start again with the magic tricks you perform. Strip away all the experience that you have acquired and look at the magic trick with the fresh eyes of a magic beginner.

Identify all the changes that you have introduced through performance and assess each one on its own merits. A great way to do this is to keep a video diary of your performance. Over time, you can watch an early performance and a recent one and see what has become stronger, and what has suffered from performance drift. Strip away all the baggage that has been added to your presentation and reset the magic trick to it’s core moves.

Once you have stripped away your additions, add only the strongest changes and adaptions to create a fresh routine that is the best it can be. If you try this out, I know you will be surprised by how much it changes your presentation for the better.

You may love each and every magic trick that you have built up to be of a performance standard, but part of the process of staying fresh as a magician, is to see past the love you have for a favorite magic trick, and strip away everything you have build up. Once you do that, you can recreate it again, using just the best parts. This process will allow your magic to evolve over time without the atrophy that time applies.

Falling out of love is very enlightening. For a short while,  you see the world with new eyes. – Iris Murdoch

Question

What tips do you have for keeping your magic tricks looking fresh and new? How do you make sure you don't get bored and degrade your performance when performing a magic tricks often? Leave a comment in the section below:

 

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Filed Under: how to do magic tricks, performing for the public, practice, showmanship Tagged With: Performance, performing for the public, practice, showmanship

How to be the Best Magician at School

by Dominic Reyes 1 Comment

Who's the best magician at school?

By Ben Williams

Matthew asks: How do I prove I am the best magician in school?

We recently had this question come in from one of our customers and it raised a great point for us. Due to the increase in the popularity of magic, students are likely to encounter other people at school that also study the art of magic. What should you do if this situation arises?

I think it is very important to consider why you are asking this question. There really is no way to prove you are the best. However:

 

Your thoughts shouldn't be about how you can be the best magician,

it should be on how to give the best possible experience to someone else.

 

If you concentrate on making sure you are personable, friendly, non egotistical, and you also practice hard, everything will fall into place. It will become known that you are skilled in all aspects of performing, and presenting magic. You will be able to give your spectators the best experience, and as a result, you won't have to feel like you have something to prove.

School can be competitive. Try not to get sucked into the 'I'm better than you game'. Rise above comments like this. Concentrate on what you are doing, and what you love. It doesn't matter what they think, just keep giving, and respect will fall your way.

Everyone is different.

It is up to the audience to decide whom they like, and people's opinions are different. Some people like chalk, and some people like cheese, it is the way of the world. You cannot please everyone, so even if someone prefers another magician at school over you it doesn't matter. There are billions of people in the world, so there are many more you can please!

What to say.

I understand that this can be a tough situation, but the best thing you can do for you and your magic, is to not get bogged down with it. If someone says they are better than you, simply say, 'ok, that's good!' if it doesn't rattle you, or bother you, then there is no ammo for them anymore . They will realise they are not in a race or competition with you.

If someone says 'so and so is better than you' just say, 'that's cool, they practice lots, I'll keep going though!' Statements like that pop their bubble and there is nowhere for them to go. People only make statements like that to get a reaction, and if it doesn't bother you then they realise they cannot affect you. They may even respect you more for remaining kind about the other person.

The best piece of advice I can give you is to stay true to yourself. Keep practicing your magic. Focus on what you love (even if it isn't magic), and don't worry about other people and what they are doing. Build a magic act with magic tricks that work well together, and focus on your own development. You will soon see that it really doesn't matter who is the best magician.

 

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Filed Under: beginners, best magic tricks, magic advice, performing for the public, practice, Questions and Answers Tagged With: magic advice, Motivation, practice, problems, School

How to Stop Feeling Guilt When Doing Magic Tricks and Sleight of Hand

by Dominic Reyes Leave a Comment

Feeling guilty performing sleight of hand

Ben Williams suggests ways to reduce feelings of guilt when performing close-up magic tricks and sleight of hand.

Guilt is something every person has to deal with at some point when studying sleight of hand and magic tricks. Simply because you have to lie to your spectators faces about what you are doing sometimes. Simple statements like, ‘we’ll lose your card in the deck’ or, ‘if I place the coin in my hand’ sound easy to say. However, these statements can be tougher to say convincingly whilst performing your sleight of hand.

Telegraphing.

Another common issue with guilt can be the guilt of performing sleight of hand in general. Some moves (especially ones that you worry about performing) may become apparent to a spectator simply because you are telegraphing the fact that you are performing a sleight. You must learn to feel at ease with all the sleights you perform. If you feel guilty when performing a move like a shuttle pass or false transfer it will only give the spectators more chance to catch you out. The more you worry about the move, the more you transmit through non verbal communication that you are doing something fishy.

When you have to perform a move you are worried about, the body tenses up and you may stutter or hesitate. You may even become slightly more withdrawn, and look at the cards, or your hands instead of the spectator. All these subconscious clues tell the spectator that something dodgy is about to happen. Relax and believe you are doing what they think you are doing, and it will all become easier and more enjoyable!

The solution to magicians guilt.

If you have guilt about doing something secretly in your pocket, like load a box, or switch an item, and you really don’t want to draw attention to it, then there really is only one answer for this: practice! Practice the load or switch over and over again, and also make sure you practice in the clothing you will be performing in. If you practice in baggy clothing, and are wearing tighter clothing when you perform it can really make a difference with the handling. Use pocket managment. Try to look at where things are in your pockets, or if there is another pocket you have that it would work equally well with but be less fiddly. If you are fidgeting and people pay attention to it, simply joke and say, 'sorry I am not being rude, I just have so many things in my pockets, like fairy dust, and whatchamacallits. I cannot find my little box!' A simple comment like that, and they will be thinking you have all manner of things in your pockets, so the fidgeting is now justified. People don't really know what a magician has in their pockets! You can help to draw attention away from your pockets by asking the spectators to do something at the same time. Ask the spectator a question, or hand them something like the deck of playing cards to shuffle. Any action will buy you a few more critical seconds.

Once you are practiced, and up to speed with all of your sleight of hand and routines then all you need to do is perform, the guilt will disappear. You can always justify it by telling yourself that you cannot give someone the wonderful experience of magic without a little white lie here and there!

 

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Filed Under: Approach, how to do magic tricks, magic advice, performing for the public, practice, Questions and Answers Tagged With: performing magic, practice, sleight of hand

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