How to do Magic Tricks

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How Magicians Learn Magic Tricks – Chatting about Magic Tricks Part 1

by Merchant of Magic 4 Comments

This is a semi cleaned up transcription of the first episode of the MoM podcast. Three Magicians sat in a magic shop chatting about magic tricks. Too busy read it all? You can listen to the whole thing by subscribing to the podcast. Still with us? Ok, we have broken it up into three parts. Part one discusses how, when and where to practice your magic tricks.

study-magicHow Magicians Learn Magic Tricks

Dominic Reyes  Today we’re going to discuss practice techniques and the way that you can get the most out of learning new magic tricks. I should introduce myself first. I’m Dominic Reyes, the owner of Merchant of Magic and I’ve been performing magic professionally for almost 20 years now and I’m joined today by Ben Williams.

Ben Williams Hello. I’ll just jump in there. My names Ben Williams, I’ve been performing magic for nearly 15 years and performing professionally for about 7 and I’ve been lucky enough to work here at the Merchant of Magic with Dominic for many years. I’ll pass you over to Paul.

Paul Knight I’m Paul Knight. I’m a performing magician. I’ve been doing it for about 13 years and I’ve been working here for at least 3 months now.

Dominic Reyes Three long months.

Ben Williams Tedious months.

Dominic Reyes No, seriously, we love you really. So we’re going to talk about practice techniques. Ben do you want to kick off?

Ben Williams Yeah, I think we’re just going to start out some tips and chat about them first, so one of the things I like to do, is to perform a move and actually look at what the real move that you’re doing is. So if you’re trying to vanish a coin by putting it in your hand you should learn what putting a coin in your hand actually looks like. You’re replicating what the real general move looks like because when you start developing slight of hand moves there are tell tale signs that crop up for everybody. If you don’t study what you’re actually supposed to be showing them then when you’re going to be putting a coin in your hand that’s going to look funny. It’s not going to look like what putting a coin in your hand should look like. So I always think about doing these moves, I always practice what I’m supposed to be doing first.  I will genuinely put a coin in my hand and squeeze it about 10 or 20 times. Then I would look at everything from when my right hand puts a coin in, What my right hand does after that, it naturally bounces by your side, your hand closes, you know. Just general movements and try and replicate as much as you can. Yeah. That would be my first tip.

Paul Knight When you’re practicing do you do it in front of the TV?, or do you sit in silence?

Ben Williams It depends on what I’m doing. Say if I’m doing the classic pass then I would happily sit and watch an episode of Emmerdale. Yeah, something classy like that. And I’d quite happily sit there and perform the move repeatedly over and over and over again because that helps with the muscle memory. That helps with the technique that you’re supposed to be doing, but also your mind is somewhere else. Because that’s essentially what you’re doing when you’re doing magic. You’re talking to somebody whilst you might be doing a billion other things in the background which they’re unaware of.  So if you can practice and coherently watch a TV show at the same time, then you’re training your body to do these two things at the same time which is a great thing. But there are exceptions to which I’m sure you agree.

Dominic Reyes What do you do Paul?

Paul Knight Well flourishes and sleights, I do what you were just saying, so the mechanics of the  magic tricks.  I would quite happily sit in front of the TV and practice over and over and over again until it’s second nature like doing up your shoelaces. However, if I was doing a routine or an actual magic trick in itself, which would involve patter, a story, say with a beginning or an end to it, I would always listen to music because music is a distraction from the actual performance.

Ben Williams Yeah,  I can totally understand that. I think there’s an awesome magician and a good friend of mine, Eric JonesJones, who only performs and practices his coin magic to music because it’s like a metronome because you get a beat and you get a rhythm. So as you’re performing you get this flow, it’s natural, you eliminate dead spots. It’s a rhythm, it’s a flow. It’s great with coin magic, it’s really helpful, it’s really, really helpful.

Paul Knight A good way to jazz actually is to practice to music. The practicing of sleights slowly, then faster and then it becomes even quicker.

Ben Williams You’ll find things like misdirection will flow a lot easier if you practice with a rhythm then you can establish that rhythm when you perform.

Dominic Reyes It’s a bit like when you learn to drive. When you are learning clutch bite on the pedals. At first all you can do is concentrate on that, and it feels really alien, but then you’re so busy looking at the road, you forget about your feet and once you are  a driver you don’t think about that at all.

Paul Knight Another good example is something that everybody does, your morning routine. What do you do when you get out of bed.? You pick up your wallet and pick up your watch. Well, this is my morning routine.

Ben Williams I put my clothes on.

Paul Knight I haven’t done that enough times for it to be in my muscle memory.

Ben Williams Okay, this is where you need to start practicing isn’t it.

Dominic Reyes It’s the same thing, you don’t think about it because you’re doing it so often. It becomes almost a mundane action.

Ben Williams It’s funny, somebody actually posted up the other day asking when did my morning routine change? I used to get up and go and have a coffee and have a shower and now I get up and check my Facebook and check my emails and check my forum posts and things like that. The world is a funny place isn’t it?

Dominic Reyes Well, talking about routine, I would ask how often to practice? There are two ways that I hear from customers coming into the shop and talking to us. Some people will have maybe one night a week where they sit down and they say that’s my weeks practice night. That often tends to be watching magic DVDs and reading books and i’m afraid that’s not practice.

Ben Williams No, that’s very important to establish. Learning magic is not practicing magic.

Dominic Reyes Yeah, and then other people, including myself when I’m learning a new move or a new technique, is a short burst of practice, sort of like 10 minutes, often through the day. Maybe 10 minutes in the morning, 10 minutes at night.  I have a deck of playing cards in various rooms of the house. I have one next to the kettle, one next to a phone and as I walk past I can practice. I can run through a routine. I think having those breaks allows you to consolidate the information that you’ve learned.

Ben Williams And then view it with fresh eyes.

Paul Knight That’s it. How many lectures have you been to which have been fantastic. They’re two hours long and you sit there and a billion jokes or lines have gone by which you’re like, oh, I’ll remember those, those will go into my working set.  I’ll remember that trick and by the end of the two hours you’ve been so bombarded by information that you carry very little through with you on your own. You know, you would need to be writing everything down and noting everything and it’s just the same with practice. If you just go into practicing for a long session, it’s not as productive as it could be. If you give yourself breaks and do it in short, sharp bursts, it’s a lot more effective.

Ben Williams A bit like revision for an exam. You have a burst, then a rest, maybe a nights sleep and the next day it puts your brain in a fresher place.

Paul Knight  People are always saying they haven’t got enough time to practice. Time is always pushing and, you know, life commitments, families and so forth, but how much time do you need? Five minutes in the morning, five minutes in the evening. Keep doing that all week long and that short burst will develop you a lot quicker than sitting there in the evening and going over and over and over it.

Ben Williams Yeah, 5 minutes in the morning and 5 minutes in the evening is nothing but that totals up to over an hour’s worth of practice over a week.

Dominic Reyes Sometimes you’ve got to really focus on it, especially if you’re learning a magic trick and you’ve really got to focus on the instructions. For example: Stand Up Monte By Garrett Thomas  Where you’ve got a multiphase routine, you have to do everything in that order. That’s going to take time. So you’ve learnt the flow, but once you’ve got that you can then practice in short sessions often.

Ben Williams In fact something like Stand Up Monte would be the ideal example of something you should practice to music, because you can really pay attention to it, you can get the timing and the flow along with the music and then..

Paul Knight And you can jazz with it, once you understand it.

Ben Williams Once you can jazz with it. [Laughter] Such a great magic trick, but yeah, very convoluted sort of handling which you know you definitely need to practice.

Dominic Reyes They say you can become an expert at something if you do it 10,000 times or spend 10,000 hours on it. If you sit down and you do loads and loads of repetitions you’re going to burn out and after a while you’re just going to skip on to the next trick, whereas if you make it short sessions often, you can keep that energy going. You can keep it fresh and develop into it.

Ben Williams Consider David Stone, this is different, because it’s practicing for competition but David Stone practices his magic in both hot and cold climates, so he will go into a walk in refrigerator and practice his magic and he will go and sit in a sauna and practice, so he can perform with his hands being really clammy or hot and also really cold and sensitive… This is again for competition not in general, but if you want to nail something 100% of the time and you can’t afford to cut corners, he takes 100 matchsticks and he does his move or his routine and if he gets it right he will move his matchstick into a pile and if he gets it right again he moves another matchstick across and he does this again, when he gets it right he moves a matchstick across and he keeps doing this until he gets 100 moves in a row correctly. If at any point he gets it wrong all those matchsticks on the left hand side get moved over to the original pile again and he starts again until he’s done it 100 times in a row correctly. To be fair, that may well be a bit over the top, but…

Paul Knight Did he win?

Ben Williams He placed. He didn’t win, but…

Dominic Reyes His house burnt down. [laughter]

Paul Knight Well, that’s an interesting insight as to how a competition magician would practice something, when he needs to nail it just once on the night, boom.

Dominic Reyes Is that individual sleights and moves, or would that be running the whole routine?

Ben Williams You know I think he breaks his routine down into sections. He will practice his bottle production over and over again and then he’ll practice the bottle through table over and over again, and then he’ll practice the object inside bottle over and over again, and once he’s done them all perfectly and he’s got them down he’ll merge them all together into a routine.

Dominic Reyes And how do you tend to do it,? Do you tend to do it in chunks like that or do you run through the magic tricks from start to finish?

Ben Williams If I try to practice the whole routine I will end up realizing I’ve stopped in the middle of the routine because part of it didn’t look right in the mirror and I’m redoing that part. You can’t do that in real life.

Paul Knight I do that. I’m guilty of that.

Dominic Reyes I think you’ll find quite a few people probably are. You get lost in your own moment, you’re saying to yourself  “that didn’t quite look good, how do I make it look good.”

Ben Williams You are being a critic of yourself all the way through, you’re monitoring it and saying how do I do this,? how do I do that? and you only actually half paying attention to the routine. If you actually did it start to finish and if you went wrong, you stopped you would very, it would take you ages to get to the end of the routine.

GO TO PART 2

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Magicians Bad Habits – Chatting About Magic Tricks Part 2

by Merchant of Magic 2 Comments

Part 2 of the cleaned up transcript of the MoM Podcast episode 1. Three magicians sat in a magic shop talking about practicing their magic tricks. This section is about magicians bad habits.

The STOP sign on the clean sunny dayPauls Bad Habit:

Paul Knight One of my bad habits is when I’m learning or practicing routines or tricks, whatever you wish to call it, I start making my own patter as I’m learning it. I should really learn the trick first then revisit it and try and figure out a patter and there’s not much advice out there on patter.

Dominic Reyes It’s tricky because you don’t want to just practice in silence because you’re not going to perform in silence. So using the voice acts as a cue to the moves. Especially later, if you practice over a long period and then try and show it to someone you find you hesitate and you pause and you freeze, generally it tends to be the fact that you’ve been practicing in silence.

Paul Knight You’ve been practicing the moves and the mechanics of the magic trickstricks, but not actually the performance of the effect. Practicing the performance and learning about that is just as important really. If you want to be serious.

Ben Williams So how do you do that? How do you practice?

Paul Knight I actually speak out loud when I’m on my own practicing. Once I did set up three teddy bears around the table and practiced it on those. I was having a great conversation and the patter flowed, but the reaction wasn’t what I expected. [Laughter]

Dominic Reyes Really?

Paul Knight It was a tough gig. That helped though. This sounds really ridiculous, but it helped.

Ben Williams It was a fluff gig. {Laughter]

Paul Knight It gave me points to look at, places to look at when I was performing. Which gave me cues to what part in the routine am I?

Ben Williams Exactly, I was going to bring up the point of practicing in the mirror. Practicing in the mirror is very important for getting your angles right. But if you get too caught up in doing that you will find that you’re performing your routine and you’re looking at yourself in the mirror as you do it.

When you go to perform to a real person your eyes aren’t going to be looking at yourself in the mirror. They’re going to be looking at the spectator in front of you, oh, did that person to the right see something? And your mind is in totally different places and looking at different things too. So sometimes when I’ve practiced the magic tricks and I know that my angles are good and I understand them I’ll step away from the mirror and I’ll just practice walking about. Just walking up and down my hallways practicing my patter as well because it takes you away from getting locked down. If you’re only practicing in one condition then once you step away from that condition it’s a whole new ballgame.

Dominic Reyes I agree. When I was learning the retention of vision vanish for example. I would practice it and repeat and repeat and repeat in front of the mirror. But once I didn’t have that feedback,  I had a problem. I became reliant on the feedback to see whether it looks okay. It was really uncomfortable to perform the move and I wouldn’t do it.

Paul Knight Feels like everyone’s seeing it.

Ben Williams Exactly! Because you’re not getting that feedback. You’re not getting that instant check that it looks good. You need to know that it looks good in the mirror, but then you also need to practice it in the mirror so you know it looks good when you’re just looking at your hands.

Paul Knight You have to be practiced in this sort of way, if you want to feel confident. Sometimes when you perform, a spectator might whisper to another spectator, it can give you a clue that they’re following what you’re doing. Now they may well be, but the likelihood is that they think they know what you’re doing but are totally wrong.

Dominic Reyes They’re following the method they think.

Ben Williams Yeah, they’re going somewhere completely wrong, but if you don’t have confidence in your own sleights, if you haven’t practiced them enough, you’re just going to believe they know exactly what’s going on. That will cause you to speed up. It can cause you to rush through things, not allow you to be as entertaining as you can be and also it will bring down the quality of your performance for everyone else. At the end of the day, if you can have nine people really enjoy it and have one person figure it out or have 10 people not really enjoy it, which would you prefer?

Paul Knight I’d politely disregard the people who think they know..

Ben Williams Even if they know how it’s done, you get that. You can’t go through life being a magician and honestly say you’ve never had someone figured anything out that you’ve done.

Paul Knight You would be fooling yourself.

Paul Knight I’d like to fool someone just once though. [laughter]

Ben William You’ve fooled yourself. [Laughter]

Dominic Reyes I once took a part-time job where I was in a showroom as a salesman and the whole place was surrounded by great big glass windows, so I’m staring at a reflection of myself all day.

Dominic Reyes Retention, Classic Pass etc etc all day long… I’m running a coin roll all day when I’m on the phone and I’m watching it and watching it and then people started asking me ‘why are you closing your eyes?’ when I performed the moves at a gig.

Paul Knight I was just about to mention that.

Dominic Reyes Well, I don’t want to see it when I do a funny movie.  It’s only by videoing myself later on, that I picked up that tell and it’s taken quite a while to get rid of it.

Paul Knight It’s a reluctance to see bad magic, I don’t know, because I do it as well.

Dominic Reyes If I can’t see it, they can’t see it.

Ben Williams You don’t know you’re doing it.

Dominic Reyes I wouldn’t have spotted that at all, so another good habit in your practice time is to video yourself and that can be quite painful to watch.

Ben Williams  If you can, and not everyone has the facilities to do this, but if you can set up more than one camera so that you have multiple angles, it’s not so bad because everyone’s got some sort of video camera on their phone or you could just borrow your friends’ phones or have someone video you. You could get a nice little bit of footage of your magic tricks, which you can use to learn from.

Dominic Reyes Don’t just film yourself. Don’t just set up a camera and film yourself performing magic tricks. You can look on YouTube and find thousands of people doing that and you won’t learn very much. It needs to be you performing to an audience. You need to see the feedback you get, you need to see how you come across to an audience.

Paul Knight Even your stance.

Ben Williams Your stance, your speed, is something that you might find yourself doing is shifting your weight left to right foot nervously and you won’t pick that up unless you’re actually videoing yourself at all.

What magicians bad habits do you have? Let us know in the comments section below

GO TO PART 1           GO TO PART 3

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When Have You Practiced Enough Magic Tricks? – Chatting about Magic Part 3

by Merchant of Magic 1 Comment

The following is part 3 of the cleaned up transcript from Episode 1 of the MoM Podcast. Three magicians sat in a magic shop chatting about practicing magic tricks:

Are-you-Ready

When have you practiced enough magic tricks?

Paul Knight Another thing, check are you acknowledging everyone at the table, whatever event it is, are you noticing everyone because it’s easy to just focus on one person.

Ben Williams Yeah, very much so. When I first started working, I had to get something out of my system. Approaching a table. I always had to practice what I’d run through, because there’s nothing worse than nervously hanging around and waiting to get people’s attention when it should be you controlling that situation. Practically everything, including the approach.

Paul Knight So how do you know when you’ve practiced enough magic tricks?

Ben Williams When you’re good like me. [Laughter]

Paul Knight What you can’t actually see reader, is that Ben closed his eyes when he said that.

Dominic Reyes I think that you never know. Until you start performing, until you start performing it in your set or you’re doing it to the public and you’re getting those reactions.

Paul Knight The last reaction is huge for any effect I think. That can either make you run with it or break it.

Ben Williams  But you should run with, because most of the time it’s not the trick that’s bad, it’s a harsh reality that your performance may have been bad, or there’s a slight change that the person you show it to hates magic or has a personal problem or some really horrendous thing happen in their life and they’re not in the mood for it.

Paul Knight That’s a sign you should work on it really isn’t it, if you get a bad reaction.

Ben Williams What, your marriage? [Laughter]

Paul Knight If you get a bad reaction, work on your marriage. [Laughter]

Dominic Reyes I think that’s why there are a lot of magicians that would like to perform to the public and they’re practicing like mad with that goal, but they never feel that they’re get to the stage that they’re ready to actually do it. They’ll spend years and years learning magic tricks, learning all the moves  yet they always feel like they’re still in training. I think that’s because you’ll never get to the stage when someone’s going to say ‘ right well done, here’s your certificate’.  You may have mastered that trick years ago, but the only way you’re going to do it is start getting some experience out there ‘in the trenches’  You need to be able to say ‘I’ve learned that well enough to perform it’ then you can continue through and develop it though live performance.

Ben Williams Very much so.

Paul Knight It’s a case of dip your toe in the water. Is it too cold? Yes it is, jump in.

Ben Williams It’s funny that you actually mention this, because I said to Paul just the other day that we had a new magic trick arrive to the shop and I was practicing it. But I didn’t feel I could go out and show it yet. For the next couple of weeks I was showing people in the magic shop. They were all going ‘oh yeah, that’s really good and I discovered that the thing I felt un-confident about was the fact that I hadn’t yet  performed it in front of people, I hadn’t properly performed it. That was the missing link. I had perfected the moves,  I’d run through them so much. Everything was so smooth. The only thing that was holding me back was the actual performance of it. I now know, with this magic trick you have to show people to find which angles are good.

Paul Knight So are you going to do that with friends or are you just going to jump in the deep end next booking and try it.

Ben Williams

See, this is the thing, I would do that with friends, but friends don’t give you an entirely true response. At a gig, I might perform it to a group I’m really getting along with and they’re just happy that I’m there, and I’m having fun with them. I can say ‘Look, I’ve never done this before, shall we try it?’ I don’t tend to do this at paid gigs though.

Dominic Reyes It’s hard though to add a new piece in my set. I’ve got to the stage where I a new item is ready to introduce but it may be months before I get around to actually adding it. I know my set, I know it works well, I know the timing. So it’s hard to mess with that.

Paul Knight It’s second nature. The act has been a part of your practice.

Dominic Reyes It never needs to be added in because it’s all going really well. I’ve got a beginning, a middle and an end.  I can have a new magic trick ready to go and I’ve got it there on the back burner for months and then something may happen, perhaps I need extra time or a repeat booking and I’ll try it  and bang, it’s finally included. I mean it’s a hard thing to introduce new magic to a working set.

Dominic Reyes Right, guys, we’re almost out of time now. Anyone got any last quick tips.

Paul Knight Not any sensible ones, no.

Ben Williams Practice makes perfect.

Paul Knight If you practice in front of a mirror, maybe try it with one eye closed, try that approach. No, see I told you.

Ben Williams Yeah, you could practice in glow in the dark clothing in the dark.

Dominic Reyes Right time to wrap it up I think.

Ben Williams I do believe.

Dominic Reyes Let’s go home.

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