Building a Magic Act : How to create a show plan for your magic tricks

Dean writes:

'I'm struggling with routining my magic act. Working out my show plan and the story to go with it.

I've been working it backwards lately. Coming up with a story and working in the tricks to fit the story.

Do you have any advice on this?'

Great question Dean! I asked a couple of magicians to give some advice on this and I think this will help you:

Simon Caine Stage show or close up set? I can only speak about the latter.

Personally, I don't think you need a 'story' running through your routine (this depends on your character, however) but you definitely need a theme.

What is important is that your magic tricks flow into each other, so I would start there. Rather than creating a story or presentation and shoehorning magic tricks into it, try linking two or three magic tricks together that have a logical flow to them, and go from there.

For example, something like Chicago Opener flows nicely into a Colour Changing Deck, Invisible Palm is a nice lead into Cards Across. Once your transition between effects is natural, then you can work on a presentation to go with the routine.

Jonathan Nicholson Firstly well done for producing a show plan. Entertaining with magic should be more than one trick following another without them flowing between. Simons advice for close up is very good. Linking tricks makes for a transition and the links can be around a simple theme such as a gambling demo.

For stage/parlour a theme or act is more appropriate. I personally start with how I want the audience to "see" or perceive the show. This will involve how I want to present it/theme/speaking or to music etc. Then I usually have an idea on the finale so I know what I'm building up to. If I have a particular theme of the act I will look at how I can script my existing tricks to fit but don't force it. If your looking to present a mentalism act it would be difficult (but not impossible) to make a coins across effect fit so you may need to use other effects. Then I like to script it.

Yep. Actual writing down what I'll say, do and any actions or movements on stage. This helps iron out any lulls in the act.

Then rehearse the whole thing. Manage where props will be and where they will end up (dumping props in the box/case/bag that you then have to rummage in to find the next prop is sloppy and doesn't look good).

If you have friends or family that will give you an honest appraisal – use them for a test performance or you can video yourself and watch the film back.

Do you have some advice for Dean? Please leave a comment in the section below:

By Dominic Reyes

We discuss how to build your magic tricks into magic sets that flow together. Constructing a magic act.

One of the most common questions our magicians get asked is how to order magic tricks into sets for performing to the public. Let’s look at the types of magic tricks that can be built into working magic sets, and how to order them into your act to get the best results.

Getting ready.

The first step is to understand what kind of magician you are. Do you enjoy comedy magic? Perhaps you prefer a more serious style, featuring hard hitting mentalism? Your magic style should dictate the shape and style the magic sets, and how you will be perceived by your audience. Take time to decide exactly which style of presentation would suit you best. Choose tricks that compliment and communicate the ‘style of magician’ you want to be.

Once you have a style, it’s time to build magic sets. We will build 3 magic sets, each containing 3 magic tricks. The three sets will each have a different pace, designed for specific parts of an event, and types of spectator.

Set one: The approach.

Magic Trick 1) The Impression.

The first magic trick will be your opener. This is the trick you will use when you join the first group of the evening. It needs to be quick, with a goal of capturing the attention. The magic trick must show that you are professional and skilled. When you join your first group, they may not know that a magician has been booked, so may not have anticipation of the magic they are going to see. Choose a magic trick that requires little initial attention. Think quick, fast, and impressive! A simple coin routine works well in this position, especially a 3 fly coins across. Perhaps a colour change card trick with a little flourish built in? If you use comedy, make sure you get a laugh with a strong line. The aim is to make everyone notice, and focus on the magic as quickly as possible.

Magic Trick 2) The Build.

After your opener magic trick, you will have the group engaged with your magic. This is the time to perform a longer trick that will stand up to focused attention. You are now interacting with the group. Start using spectators names, and get them involved. It’s this point that will most often have new spectators joining the group to see what is going on. Open up the circle if you can. Involve a few spectators, and look for magic that takes place in their hands. This could be a strong card routine, an expanded sponge balls set, chop cup routine. The aim is to relate to the group and expand it.

Magic Trick 3) The Shout Out.

Your final magic trick in this set should cause people to freak out. The aim is to have people getting noisy about what they have just seen. The goal is to capture the attention of other people in the room. Go for a magic trick that blows people away, and gets a round of applause, or some high fives. A bill in lemon, an omni deck, a bottle through table. This trick is a closer, so should end in an applause cue stance, with your arms open.

Keep it to three.

Each set should contain maybe 3 tricks. You want people to remain hungry for more. Explain that you need to visit everyone, but will show them more later.

Set Two : The group next door.

This set follows set 1 as you move to a group nearby. It may be the case that some of the first group will follow you as they want to see more. The new group may have watched a little of you magic from a distance as they heard the reactions form the first group. You now need a new set of magic tricks to perform for the new group.

Magic Trick 1) Moving house.

You are already warmed up, and the reactions you have been getting from your first set, will have been notices around the room. This first magic trick also needs to be quick and capture the attention. This magic set doesn't need to demonstrate your abilities as much as the first trick in set 1. A three card monte works well in this position, or an ambitious card routine. Short, punchy, and lots of climaxes and the secret to opener tricks. Your aim here is to move to the new group and get them engaged quickly to keep the buzz about you going from the first groups reactions.

Magic Trick 2) The Meat.

Now is the perfect position for a more meaty routine. Perhaps some mind reading, metal bending or a levitation routine. Play to the whole group and expand it. Card magic works well here as you could do a multiple selection routine such as the MRD deck by Liam Montier.

Magic Trick 3) The Big One.

To end the second set, we recommend that you hit them hard with a signature piece that will cause a stir. Ring flight, ring in walnut, bottle through body. Something that makes everyone applaud and freak out.

Set Three) The Circus.

You’re in the middle of the room and at a point where a large group is all around you. Most of the people have already seen your magic from sets 1 and 2. This set is almost like a theatre show.

Magic Trick 1) Helpers.

Use 2 or 3 helpers for a routine and bring them into the center of the group. In the hands chop cup routine, a rope routine like fiber optics extended, or a mind reading routine may be perfect here.

Magic Trick 2) Comedy.

Look for a magic trick that allows a few of the spectators to be comic if their personalities suit this. A street hypnosis routine, or an arm bend/twist routine would work well here.

Magic Trick 3) The Closer.

To end The circus set, you need your most dramatic closer. Something that gets 3-4 people joining you to help. Bring in some interaction from tables near you as well, and address the whole room. At the end, go for an applause stance. If you are performing to a single table, have the guests stand during the trick as this is a feature effect and should aim to be as visible as possible.

It's about pace.

So there you have three sets of magic tricks. Each set designed to be used at a different point in an event. You repeat sets 1 and 2 around the room, working towards the middle of the room, stage, or towards a top table. If you have the whole rooms attention, set 3 brings everything to a climax.

The pace for each set is different. Building from fast and flashy, to engaged and interactive.

Once you understand the flow and goal of your magic sets, it becomes much easier to choose new magic tricks to include, and to be able to order the magic tricks you already know, to be positioned within your sets to get the most out of them.

Building a Magic Act – How to Create a Magicians Show Plan