How to do Magic Tricks

Advice and Support for Magicians

Getting Caught Out Performing Magic Tricks – Magician Eric Jones

by Merchant of Magic 15 Comments

Magician Eric JonesProfessional magician Eric Jones recorded this short video for The Merchant of Magic, in which he revealed a valuable secret to becoming a better magician. He told us about something that he wished had been different, when he started out learning his magic tricks.
When you perform your magic tricks, do you ever worry about being caught out and the magic tricks secret being revealed?

For many magicians, their worst fear is that they may have accidentally flashed or revealed a move, forget an important misdirection point, or inadvertently telegraph a sleight. In that moment,  the magic trick has failed. The magician is busted, his secret revealed, and everyone knows it. Is that really the worst thing that could happen?

 

Eric Jones understands that magic practice is often motivated by fear. Once you go through the process of learning the moves, timing and presentation for your magic tricks, you start a much longer, and painful process of building up confidence in your performances and techniques.

You continue practicing the magic tricks with a critical obsession for detail far above the level of perception that your spectators will give the performance. That’s a good thing, as long as it does not prevent you from performing. Without live performance being part of the process of mastering a magic trick, you won’t gain a full understanding of the dynamics and social aspects of the magic tricks. You need to test out your magic tricks on live spectators.

Honesty

Building up confidence requires testing your magic tricks with live spectators. Eric Jones recommends that you watch their reactions and learn from their feedback. The more feedback you get, the more you can adjust your technique and presentation. However, the feedback must be honest.

Getting honest feedback is harder than you would think. Your family and friends care about you, and don’t want to hurt your feelings. They know how much time and attention you put into your magic tricks and how important they are to you. Because they love you, they don’t want to hurt your feelings, so will often tell you what they think you want to hear. They are forgiving if you have accidentally revealed a secret techniques, and because they like you already, they don’t need to be won over by your personality. This makes it very hard to get REAL honest feedback from them.

Even professional magicians find getting feedback from ‘strangers’ hard. People, on the whole, are polite and easy going. They feel embarrassed if a magic trick does not go right, and they are unlikely to point out details. They want to be entertained and for your magic to work. Some people who give you feedback may be drunk, be motivated by wanting the groups attention, or simply wanting to be funny. Knowing how to filter the real constructive feedback from the ‘noise’ can be a challenge.

Regardless of who gives you feedback, there is another element that needs to happen from time to time, for feedback to be the most constructive. It’s uncomfortable, but magicians benefit from:

Being caught out

Every magician gets caught out every now and then, when it comes to live performance. A spectator may catch a flash of a coin, the corner of a card that’s in palm or simply reverse engineer the magic trick in the middle of a performance. The more experienced the magician, the less that happens, but it still does for everyone, now and then.

Professional magicians worry about being caught out far less than beginners. Not just because they are more experienced with the mechanics of the magic tricks, but because they understand that it is inevitable and will not ruin everything.

If a flash happens, only one or two people may catch it. Most people won’t say anything, and the magic moves on quickly to another climax point and the ‘flash’ is forgotten. They may see something odd, but it does not expose the whole method, so the magic trick can still entertain them.

Magic is interesting, and that’s it’s most important ‘feature’. Being entertaining is far more important than your technical skills. Technique should be perfected, and your skills developed to become the best they can be, but audiences are much more forgiving that magicians think. Your audience will be happy as it is being entertained. The danger comes from your act being dry and boring. Then, you are only holding the audience’s attention through your technical skills. If they fail, the audience is left with nothing, so the entertainment factor can only come from reacting to your mistakes. If this is happening to you, then you need to work on making your act entertaining, and interesting FIRST, then move on to sharpen your technique.

Do This:

  • Make a point to seek out feedback whenever you can.
  • If you make a mistake, don’t give yourself a hard time about it.
  • View getting caught as a learning opportunity.
  • Take careful note of it and write about it in your magic journal, just after the show.
  • Think about a few ways that you could have prevented the mistake from happening.
  • Building up notes on how you could have improved each situation.
  • Seek out honest opinions, no matter how painful they may be.

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Filed Under: Card Magic Tricks Tagged With: coin magic, Exposure, magic advice, Magic trick secrets, magic tricks, Magic tricks revealed, Magicians, performing for the public, Practice magic, Video Podcast

Close Up Magic Vs. Stage Magic – Problems All Magicians Deal With

by Merchant of Magic 3 Comments

Close Up Magic Vs. Stage MagicClose up magic and stage magic have several different problems. Let’s look at a few of the differences:

Choice

The audience in a stage show has chosen to see you perform your magic tricks. With close up magic, the audience does not know who you are and often that you will be performing.

Location

The audience visits a theatre to watch a magic show. They make the decision to come to you to watch your show. With close up magic, you go to them. Because of this, the locations are very different. With a stage show, you create the environment that the magic tricks are  ‘staged’ within. Close up magicians fit in to a larger event, so your magic needs to be designed to complement an existing event. You need to be prepared for location surprises at close up magic gigs.

Lighting

Stage magicians can ensure that the lighting for the show is perfect for the magic tricks they will present. If you need a ‘dark’ area you can make sure that happens at just the right moment. If you need the lighting to focus attention away from an object or from you, for a few moments, this can be easily built into the show.

The main disadvantage for stage magicians is that the lighting makes it hard for them to engage with the audience. Lights can stop you from seeing the audience. Because of this, careful rehearsal needs to be done, to ensure the act is engaging without as much of the personal contact that close up magicians can create.

Close up magic happens in random locations, often in restaurants and busy bars. The lighting can be too dark, or very bright, and you will have no control over it. You need to make sure that the magic tricks you can perform are suitable for as many lighting set ups as possible.

Sound

Stage magic is supported by a PA system so the whole room can hear you. Sound effects can be added, as well as backing music. This can be used to change the mood and attention of your spectators when you need that to happen.

Close up magic takes place inside a larger event. It’s social in nature and happens in and around conversations. A band or loud music may be the background to your magic tricks, so you can’t assume that your audience will even be able to hear you. This creates a real challenge for you as a close up magician. You need to engage with the spectators and entertain them, but at the same time, you need to make sure that your magic can be understood, even if the spectator can’t hear you very well.

Good close up magic is presented in designed sets of magic tricks for different sound conditions. You should have at least 5 or 6 magic tricks ready to perform, should you find yourself in a situation where nobody can hear what you are saying. If you don’t do this, you may find you are limited in locations that you can work at a gig. You really don’t want to be forced to be positioned in the bar area away from the ‘action’ simply because the magic tricks you do, requires people to listen to you.

Set

Stage magic has the advantage of being able to control the environment to reinforce the magic or the presentation within a particular magic show. Everything can be arranged exactly how you want it, to present your magic tricks for maximum impact close up magic has no set. It may be the street, a bar or restaurant. However, this doesn’t need to be a disadvantage. The restaurant has objects, rituals and a structure that can be used to your advantage. Choosing magic tricks that compliment the situations you perform in, can turn the restaurant or bar into a perfect set. You need to be much more flexible and design your magic tricks to use the settings you have access too, in a way that will strengthen and highlight your magic tricks. Part of your job as a close up magician is to define your performing area, and communicate that to the spectators very quickly when you join each group.

Costume

Stage magicians can tell a story as much through their costumes as the magic itself. From a Chinese 19th century royal court, through to a sinister torture chamber. The act is set in a theme that communicated the story of the show.

Magicians that perform close up magic either wear a suit or dress down for street performances. They match the costumes that their spectators wear. The goal is to integrate, rather than stand out. It’s important that you think about what is best for a close up magicians to wear.

Seating

When a stage audience is seated, they have been arranged in a position to pay full attention to the show. Close up magic is often performed strolling magic, or magic at restaurant tables. The audience isn’t going to be seated so everyone can see you. When you perform close up magic, you need to move around. You need to engage different groups and capture peoples attention. It’s very important that you take some time to practice this and examine how your magic will work when your audience is not all sat directly in front of you.

Beginners often struggle with this, as they practice their magic tricks as if the audience is watching a stage show. When it comes to performing in a real world situation, they become confused and unsure how to present their magic tricks as people move around or are seated in a way that could expose their magic secrets.

Attention

The moment the lights go down at a stage magic show, everyone is paying attention. The stage magicians job is to keep that attention and stop the audience either leaving or falling asleep.

Close up magicians need to win the attention of the group, and then keep it. Spectators can be interrupted, become distracted by everything else happening. The food could be just about to arrive, an argument could be simmering between the group. Your spectators could be in deep conversation or even simply show no interest in your table magic at all. Social skills are very important for close up magicians, probably more so than good technique. The audience has no obligation to pay you any attention, so you need to give them as many reasons to like you and find your magic entertaining as you possibly can.

Misdirection

Stage magicians are being watched from the moment they arrive on stage. Many of the techniques of misdirection are different from those of magicians doing close up magic. Close up magicians, by definition, are closer to the audience. You will need to use misdirection techniques specifically designed for this situation. Tactics like eye contact, crossing gaze, positioning and questioning can all be used much more effectively in a close up magic setting.

Applause

We have all been trained from an early age to clap at the end of a stage performance. This is not so much the case for close up shows. Because close up magic is much more intimate, spectators tend not to use applause. They simply tell you how much they liked the magic trick they just say.

Unlike stage magicians, close up magicians need to train their audience to give them applause.

Do This:  

Take a moment to think about these differences. List the magic you currently perform and next to each trick or ‘set’ answer these questions:

 

1) What practical steps can you build into the magic tricks you already perform that can communicate the need to clap after you show a group your magic tricks?2) Which environmental conditions would be ideal for each trick?

3) How can you adapt various performing conditions to enhance the magic?

4) What could you say or do, to capture attention and keep the spectators engaged?

5) How could each magic trick be adapted to increase the amount of participation and connection from the spectators?

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Fire Magic Tricks – 4 Reasons Why Fire Magic Rocks!

by Merchant of Magic 3 Comments

Fire is one of the elements.To be able to use or control fire in any way is inherently magical. So many magic tricks can be enhanced by adding fire; you can add fire magic tricks to a vanish or production to really pack a punch. If you have the ability to produce a flame without any known form of ignition, then that in itself is magic.

Fire is mesmerising.

We as humans find fire absolutely mesmerising. How many times have you just stared straight into the flames of a fire and just been lost in your thoughts? Fire is almost hypnotic. Our brains are pretty much hard wired to feel this, ever since the caveman era fire has been one of the most astonishing and amazing things known to man.

Fire Magic Tricks get great reactions.

It is a fact; fire magic tricks get great reactions!! Add a burst of flame or fire to any magic trick and it will instantly get a reaction. People gasp and stare in awe; it can be very similar to seeing a good firework! Usually a burst of flames comes as a  shock and catches the spectators off guard, that coupled with a magical production of any sort (maybe a rose or a coin being produced from the flames) will guarantee you a great reaction.

Fire Magic Tricks are great misdirection.

Fire can also be used to cover sleights and is great misdirection that should be taken advantage of. If you are palming an item you wish to produce, why not turn these magic tricks into fire magic tricks? Add a burst of flame from a piece of flash paper or flash string. This is a great way to enhance the magic and cover the move.

Fire Magic tricks attract lots of attention.

If you wish to attract attention from people, whether you are performing  in public or just for friends there are few better ways to do this than using fire magic. Lighting up a fire wallet up in public is sure to  immediately attract attention. The flames will draw a spectator’s eye from anywhere in the room instantly as it is a defence mechanism in our brains to be aware as soon as a flame appears, you cannot help it, so why not take advantage of it!

SAFETY WITH FIRE MAGIC TRICKS

Whenever performing with fire magic tricks you need to be aware of not only your own safety but the safety of those around you. These are a few safety pointers you should follow, of course always use common sense and be aware of all the risks when using fire with your magic tricks.

– Always ask permission before you use any fire magic trick in any venue.

– Never light any flash product near a pack of flash paper or other flash product.

– Never aim fire magic products or throw ignited flash products towards anyone.

– Make sure you have the necessary fire extinguishers nearby should anything go wrong.

– Always store your fire magic tricks somewhere safe and out of reach of children.

– Do not store any fire magic trick or flash product near any form of ignition or naked flame.

 

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