How to do Magic Tricks

Advice and Support for Magicians

Doing Card Tricks – Do Not Use These Words

by Merchant of Magic 7 Comments

words-magicians-should-not-useI want to talk you to about language. The words you use when you perform your magic tricks, and how you can improve them to get a better reaction from your audience. It’s specifically about using the wrong words.

What are the wrong words?

Every word that you use, when you perform a magic trick, counts. It sets the stage for the magic, defined your character, moves the action forward, and ensures the spectator understands what should happen, and what did actually happen. It also signals to the spectator, how they should react to the trick. Any words that don’t perform these actions are clutter and should be removed from your script as much as possible.

Magicians Instructions.

As magicians, we are so used to reading about magic tricks, going through the instructions and talking with other magicians, that we forget our spectators are not the same. They aren’t immersed in the language of magic.

Approach a spectator, pull out your Bicycle playing cards and tell them:.  

“Say ‘stop’ as I riffle through the deck.”

What on earth is a “riffle”? The spectator never uses that word, and probably has no inclination to  do so. Swap  it for something like this..

“As I go through the playing cards, say ‘stop’ at any time”

That’s a much better line. It doesn’t assume any previous knowledge of magic from the audience.

Asking a spectator to “Cut the top half of the deck please.”  Again, what exactly is a ‘cut’ and what’s the top half of the deck? It’s clear to us as magicians, but these assumptions of prior knowledge in your patter, cause the spectator to pause for just a moment, to check internally that they understand what you are asking of them.  Simplifying the language you use in your instructions will improve the pace and flow of your magic and the clarity of the trick for spectator.

Call a spade a spade.

As much as possible, check that you are not referring to items by their magic names. Let’s say the magician is about to perform some card tricks. He asks the spectator to sign a card and wrap the playing cards up in a silk:.

“Please pick up the Sharpie, sign the front of the deck and then wrap it up in the silk.”

For just a second, these questions jump into the spectators mind:

1) What’s a Sharpie? —–   Oh, he meant the pen!

2)  Sign? ——  He wants me to write on the playing card?

3) Front of the deck?  ——  Is that the top card? But where on the card?

4) What is a  Silk?  Does he mean that piece of cloth on the table?

The spectator how has 4 questions to process, and confusion can jump in at any step.

Introducing a magic trick.

“OK, here’s a bit of magic for you”

Using the word bit, makes the trick sound like something less that awesome. It’s dismissive and almost apologetic. Instead, say something like “Here’s something very strange, for you.” or “Let me show you something, I think you will really like.”

Another common mistake is to use the word effect.

“Let me show you this magic effect.”

Nobody, other than magicians, call magic tricks ‘effects’. Save that, for when you are talking to other magicians. Instead, refer to the trick as “magic” or “magic trick”.

Patronising

“Please, sign your name here. Brilliant!”

“Please take a card, great job!”

Brilliant, Fantastic, Amazing, Great!

It’s so tempting to add this, as some kind of little reward for the spectator after every action they do.

“You put the lid back on the pen! AWESOME!!!”

This is simply clutter and adds nothing to the presentation. Unless you are specifically trying to be funny, this gives a message to the spectator that you thought he or she was incapable of performing these simple tasks.  Instead, just say “Thanks” and move on with the trick.

It’s likely that you may now notice that you use these words when performing. Filming your magic performances can help you identify these habits, so you can work to remove them.

Redundant sentences and cliches.

We all do it. We all use the same stock lines, when talking to spectators. After all, we grew up watching magic and learning the way a magician acts. However, taking a moment to study what you say, and choosing alternatives to these common phrases, will dramatically chance how you are perceived by your audience.

Here, are some of the most popular cliches that should be avoided:

“And now, for my next trick..”   Just get on with it. When you end a trick and start another, it’s obvious to everyone. There is no need to tell everyone that you are starting a new trick.

“And with luck…” Telling a spectator that the trick requires luck to end correctly, is a huge fat signal that you are not confident with your technique. The trick works because of magic, not luck.

“Are you sure?” This is common. You ask them to pick a card then ask them if they want to chance their mind. Why? As a magician, you want to let them know that they could have picked ANY card. But they already know that, as you asked them to do just that, a moment ago.

Just accept their first decision and move on with the trick. Adding doubt in the spectators mind, that they picked the right card is a distraction from the card trick. Unless your card tricks are specifically about the nature of free will or influence, making the spectator question each of their choices serves no real purpose and adds nothing but fluff.

“So, now I am going to…” Don’t introduce each of your actions. Just do them. The spectators don’t need a running commentary about your future actions. They are there in front of you to experience the trick for themselves.

“Is that fair?”  By asking a spectator to judge, what should be a simply innocent action you create doubt and a challenge mentality. The spectator is invited to think:.

  • Why wouldn’t the action be fair?
  • Did I just miss something sneaky?
  • Should I care at all?

These common mistakes that magicians make, often just spring from assuming the spectator has prior knowledge of magic. That’s often fine if you perform mainly to other magicians, but even magicians will appreciate good language. In fact, they will probably notice it just as much, as they compare your presentation to their own.

DO THIS:

It’s very hard to remove these negative words from your presentation, if you don’t script your magic. Watch some performances of magicians who favor the ‘ad-lib’, jazz style of magic and you will often find their patter is full of these lines. We highly recommend that you start creating a script for each of your tricks. As you become aware of mistakes like these, you can remove them. Scripting your magic down to only what is essential for the trick to work. Once you have this habit, you will find that you can ad-lib in a more powerful and meaningful way.

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I Do Card Tricks – What Magic Trick Should I Learn Next?

by Merchant of Magic Leave a Comment

sams-question-about-magic-tricks-MoMWe received this question today. It’s very common for us to be asked what magic trick should I learn next.. Here’s the answers from the MoM team:

Paul Knight: The first suggestion I highly recommend is a DVD called Fiber Optics Extended. Fiber Optics is a highly visual rope routine that lasts between 2 and 5 minutes, is ideal for one on one or groups of people, perfect for close up or stage and resets instantly. Another excellent plus point of this rope trick is it takes up very little pocket space. I personally use this at every booking and often get asked to show it again. If its non card magic your after I highly recommend Fiber Optics.

Secondly I would recommend a good chop cup routine. The World’s Greatest Magic Chop Cup routines is a good reference point for chop cup routines. The beauty of a Chop cup routine is that yet again it is highly visual and involves a lot of audience participation. Plus it guarantees great reactions when you reveal the final load(s) whether it be fruit, or any other large item. Another great point is the chop cup routine leads great into a bill in lemon routine which is a classic crowd pleaser.

Finally I would recommend a DVD jam packed full of impromptu routines. On the Spot by Gregory Wilson this covers lots of excellent tricks with things that you will have either on you already or items that are easily borrowed. This DVD has Greg performing all of these routines live which in itself is priceless. Hope this helps!

Ben Williams: Hi Sam, the sponge balls DVD is a great idea, sponge ball magic really helps you learn the basics of sleight of hand so you will quickly learn vanishes, productions and linking these elements together to create a routine. You may want to look into some sleight of hand with coins tutorials also as the sooner you begin with coins, the better. Coin magic is not like card magic, some coin magic is very easy but then as you progress you are training your hands to use muscles that they don’t usually use so the sooner you start, the better!! Learning from a DVD like In The Beginning There Were Coins

My top 5 suggestions I would recommend to take your magic outside of the realm of card magic and into everyday objects are:

1) Psypher – This is one of the best tools you can use for mind reading.
2) First Hand – A really visual change of money on the spectator’s hand.
3) Loops – For animations and small levitations
4) Stitched – A fantastic illusion where you heal a rip in your jeans.
5) Self Tying Shoelace – You tie your shoelaces without touching them, killer!

These are some of my favourite tricks to perform, besides my own tricks of course 😉 (just check our Ben Williams section in the magic shop)!

Dominic Reyes : Sam, It’s great news that you are looking to add in some material into your sets that don’t involve playing cards. Nothing wrong with cards at all, but it can be very easy to overly focus on card magic, the more you get into it. As you learn more and more material, it’s a big jump to start right at the beginning with a new field of magic.  The great news is that most of the skills you learn in any area of magic are transferable. After all, misdirection, is misdirection, regardless of the props you use. You mention that you were thinking of using Easy Vanish. It’s good, in that it does exactly what is promises, but it is a short cut, at the end of the day. You would send your time more wisely, by studying an introduction to coin magic DVD to pick up some easy vanishes you can do anytime.

 

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Will You Ever Be More than an Average Magician?

by Merchant of Magic 4 Comments

average-magicians I was asked this question today:

‘How can magicians script and arrange several magic tricks to get maximum entertainment value? Is there a tried and true method of determining what order of the effects is best?

This is what I have learned so far:
Opener – something quick and visual to let the audience know that the magicians, good and that they will be entertained.
More Magic . . .
Use the audience as much as possible, they love to be involves (most of them at least, I hate to make fun of a volunteer or make them look foolish)
Closer – usually the best and biggest WOW factor magicians can do.

Any suggestion about pacing the routines and what goes well with other tricks?’

That’s a great question. In fact, it’s one of our favorite questions to be asked! This magician has been hard at work. He has chosen the tricks he wants to perform, which is really the easy part. Now he faces the biggest challenge magicians have: Making it all flow together into a polished and entertaining act.

Option 1:

Don’t worry about it. Magic is a fun hobby, and a great second income, if you decide to perform magic for money. Just keep finding new tricks and show them to as many people as you can, The ones that don’t get great reactions can be dumped and new ones added. Your local magic dealer will LOVE YOU, and you will have a decent reputation locally, as one of the best magicians. You will constantly be met with requests to ‘Show us what new tricks you have’.

Option 2:

You take the time to find out who you are as a performer. The style of magic that suits you best, and the most effective way for you to present your magic.  You select only tricks that strengthen your performance and your act. As you study each trick, you create, test, and refine the way you present them. New tricks are added in a way that increases the power of the other magic tricks you do, until you have an act that is the best it can be.

If you look at all the magicians performing magic today, some are pretty terrible to be honest. Some are really good, but most are just an average magician, after all that’s what average means.

Ticking along with option 1, WILL give you results, and your magic will improve over time. However, it will never push you past being one of the average magicians. All magicians are searching for new magic tricks. Magicians everywhere are practicing like crazy. That’s what everyone does:

It’s a path to being just an average magician.

DO THIS: You need to CHOOSE right from the START, where you will fit into this scale.  It’s not something you can just gradually move along, until you wake up one day, years from now, better than everyone else. Every day you spend practicing without making this choice, is a wasted chance.

Decide RIGHT NOW to set your aim above the average magician, then do something to act on that decision.

Magicians that asked me this question, are on the right track. They have got to the stage where they want more from their magic. Professional magicians have something more than new tricks. They are doing more than the average guys. Not by accident, but by a conscious choice to study more than the moves of a new trick. They follow option 2. They look at themselves, and their performance, and find ways to make THAT part of their show as good as the tricks within it.
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By Dominic Reyes

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