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How Magicians Can Get Audience Reaction Photos and Videos

by Dominic Reyes Leave a Comment

Dominic Reyes performing reactions

By Dominic Reyes

 

How do magicians get audience reaction photos and videos of their magic when doing close up magic?

That's a common question and I'm going to share with you something that I've been using for a few weeks now and know you will love. But first, lets look at the traditional ways to get audience reaction pictures:

The event photographer.

Teaming up with the offical event photographer is always a good idea when you arrive at a magic gig. Make sure you get the persons business card, and that you ask if you can have access to some of the photographs after the event. Usually the event photographer will be happy to supply you with some of the photographs but may ask a small fee in return. The main problem with this is that you will onlybe featured in a small part of the event, so the photographer will have a limited range of images that involve you. The photographs also tend to be of you, rather than the audience reaction. It's a good idea to speak to the photographer first and ask them to take pictures of your audience smiling, laughing and reacting to your magic.

The spectator as photographer.

I know a few magicians that will ask one of the spectators to take some photographs of the magic happening, or to shoot a small video on their phone. This can be a good idea, as long as it doesn't get in the way of the spectator having fun watching the magic. Some magicians feel uncomfortable asking spectators for this. Spectator filming has the same problem as that of using an event photographer, in that a lot of the footage will be of you rather than the audience reaction.

The Autographer Camera.

I purchased an Autographer camera for a skiing trip recently, and I'm really impressed with its value for magicians wanting to get audience reaction photos and videos. I should point out that I've have not been paid, or entered into a commercial agreement to promote a specific device or product mentioned in this post.

Autographer is a small device that clips to your clothing, or can be worn around the neck on a cord. It's a camera that will automatically decide when a picture is worth taking. You just turn it on, clip it onto your clothing and forget about it. It will start taking photographs using five high tech sensors to determine when something new and interesting needs to be captured.

Magicians using Autographer

To road test Autographer, I clipped in on at a drinks and canapés party in Central London. Here's a short video of me performing close magic with Autographer clipped to my suit jacket top pocket:

That was a fun gig, made especially so because I was working alongside Ben Williams from the Professional Magicians Agency (you see us discussing magic in the video) He's one of the best magicians, and creative minds that I work alongside whenever I can.

The image quality.

You'll notice that many of the shots are either out of focus, or have blur. That's understandable given the low lighting and the fact that both myself and the guests are constantly moving. In that gig, Autographer took over 1500 images. I removed many of the shots that didn't show anything of interest, but I've intentionally left in lots of blurred and out of focus shots. I want the footage to look organic, live, and capturing the 'reality' of the event. You could go through the images and just pull out a few perfect audience reaction shots if you prefer. Those could then be tweaked using photoshop to correct colour and lighting. I don't personally think that's my goal with a large bank of images played together in a stop frame video.

For magicians, Autographer creates a gritty, live action video that is not supposed to be perfectly shot. It also will give you a few excellent, clear and focused audience reaction shots you can save as distinct images. As you wear the camera over time, that bank of 'perfect images' will become very large indeed.

You can check the photographs that Autographer has taken using an app on your phone. If you know something cool is about to happen, you can set Autographer to instantly take a series of photos. You can turn the camera off and on whenever you like, or just forget about it, and let it capture every audience reaction.

You can find out more about Autographer on the Autographer website.

 

As well as the Autographer device, you also get easy to use software for the Mac or PC that will allow you to download the images, edit, save and delete them. You can then stitch them together into an animated gif or video that can be shared online. Adding music to the video is easy and creates a lovely recap of the whole gig.


Tips for magicians using Autographer.

Make sure you get permission from the event organise to film at the event. Usually there will already be a photographer or a cameraman filming the guests, so it will not usually be a problem.

Don't try and hide the Autographer camera. Just clip it on and forget about it. Spectator's may notice it and ask what is. There is a setting on the device to select if you would like the camera to flash a light each time it takes an image, or you can set it to show nothing at all. Tell them that it's a camera and that some of the event is being photographed. The host of the event will be receiving a copy. Asked them if they would like their picture taken, and if they decline just close the camera lens.

I've been approaching groups and starting to perform magic, then mentioning that the event is being photgraphed and they may be caught on camera watching me perform. So far everybody seems to be fine with that. Make sure that the cleint/host of the event is happy for you to use the footage.

If anyone has a problem with you filming make sure you stop immediately. You can delete any photos you had instantly using your phone app. This is very rare because you're performing at a public event, and photos and videos are already happening.

 

Check and delete Autographer images.

When you go through all of the audience reaction footage, you going to have hundreds of photographs. Make sure you go through each one carefully. The Autographer software makes this very easy. Remember that you are a magician and you need to make sure that magic secrets are not exposed in the images that you take. A close attention to the times that you are queitly resetting in the corner. Some of your images will capture magician only angles, so make sure each image is checked.

Because you're capturing live events, many of the images will be out of focus or blurred. You can keep some of these in as they given an organic feel to the footage, but remove any shots that are too dark or obscured.

 

What magicians can do with Autographer images.

As you use Autographer at your close up magic gigs and shows, you will build up a huge quantity of performing pictures that show great audience reaction. Here's some ways to use them in your magicians marketing.

1) Save audience reaction photos and videos to use on your website or as promotional material

2) Create a fly on the wall video of the whole event and send it to the client as a follow up thank you gift.

3) Create a website or blog of each gig you do. Invite the guests to visit it to see if they feature in one of your videos or audience reaction photos. Use this to pass on your business details.

4) Create a Youtube channel or instagram account of your performing videos and audience reaction photos. Show prospective clients what they can expect, and how much their guests will love your magic.

5) Study the footage to check audience reaction. Use this feedback to perfect your performing and presentation techniques.

6) Build in a magic trick into the footage, so the viewers get a magicial event happening, as they watch the footage.

Here's a few individual shots I saved from my gig last night:

Dominic Reyes Magician - Live Performance dominic-reyes-magician-live-3 dominic-reyes-magician-live-4 dominic-reyes-magician-london-6 dominic-reyes-magician-performing-2 dominic-reyes-performing-1 dominic-reyes-performing-magic-7

 

Tips for capturing audience reactions.

Once you have a capture device set up, there are a few tips to make sure you capture some useable audience reactions:

Camera location.

Make sure that the camera is positioned so it sees from your point of view. Ideally the camera should be attached to you and pointing forward. Clipping it onto your top jacket pocket, or wearing it on a cord are ideal. If you have to wear a security badge at the event, use the cord as a handy mount for your camera.

Focus of attention.

The images need to be the audience reactions, not the magic tricks you are performing. Time the images to capture the moment the magic trick reaches it's climax. Images of a magician holding playing cards, or talking to the spectators may seem to make sense to you, but viewers that don't know what is happending may not understand what is going on in the picture.

Aim for images of people smiling, laughing, or looking shocked. The goal is to communicate how much emotion and energy your performance generated at the party.

The magic tricks.

Choose a few magic tricks that have a funny ending, or that will shock the spectators. Mentalism may have a stong impact, but it can sometimes fail to create a pronounced physical reaction. Choose magic tricks that create energy to give you interesting audience reactions.

Interact.

Create action within the group. High five a spectator during the reaction moment. Make a positive comment when a spectator becomes animated during a magic trick climax. Use cues and prompts to indicate that it's acceptable to physically respond to the magic. Whenever possible, end a few magic tricks in an applause cue position. The goal is to nurture a physical reaction from the group.

 

Dominic Reyes

I hope this helps you.

Best wishes as always

Dominic Reyes

P.S  If you have any other ideas for interesting ways that magicians can use 'point of view' filming during their magic shows, please let me know in the comments box below:

 

 

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Magic Techniques to Stop Spectators Second Guessing You

by Dominic Reyes Leave a Comment

magic techniques to stop people second guessing your magic tricks

By Ben Williams

Nathan contacted the shop to get advice about the best magic techniques to stop a spectator second guessing what is going to happen.

For instance, when you place a playing card on a spectators hand face down, How do you stop them looking at the playing card if they already believe it is their card?

Obviously this can be a bit of a problem. If a spectator second guesses where you are going, it can ruin the moment you are trying to create with your reveal. There are definitely somethings that you can do in order to lessen the chances of this happening.

First of all, we should look at why a spectator may be second guessing you. Sometimes it can be your patter that is causing the problem, sometimes it can be your magic techniques. There are also times when it is neither your magic techniques nor your patter; it is more to do with the personality type of the spectator. Usually an alpha male who wishes to retain control of the group’s attention will be the person to throw you off the most. We will discuss some magic techniques and methods to help with each of these potential problems. The main thing is that you are honest with yourself and don’t kid yourself; it is the only real way to move forward.

Magic Techniques.

There can be tell tale signs that give the game away when performing when it comes to magic techniques. Here are a few guidelines to follow.

Smooth and Natural Motions.
Make sure your controls are smooth and justified. If you are going to cut the deck to control their playing card it must be smooth – as if you were just playing with the cards randomly. Your magic technique should be practiced to prevent you from fumbling with the cards, each movement should look natural and smooth. Your sleights should be fluid, and without thought, this sort of action can only be learned through practice.

Hesitation Kills.
Hesitation will kill any belief that you are not cheating. Unlike using silence in your magic tricks, It is like a beacon that goes off in a spectator's mind alerting them to your dirty work. If you can iron out your magic techniques, so it happens without you thinking about it that is really where you want to be, this way it is also invisible to your spectators.

 

Patter Improvements.

Patter can be a huge part of why a spectator may second guess where your magic may be going. You may inadvertently be giving your spectators too much time to question your actions. It may also be that you are alerting them to funny business just by the words you are saying.

Multiple Instructions.
Patter is a great form of misdirection. It can give your spectators something to think about which can be just as distracting as giving them something to look at. A great tip is to give your spectators a couple or a few instructions. For example, you could say; 'please take this card and hold it between your hands, so it is safe' or, 'hold this card face down and stare right at this spot on the back of it'. By giving the spectator a couple of instructions they are much less likely to argue with it, one instruction the brain can argue with, 2 or more instructions and the brain kind of gives in and just does it. You must be fluent with your patter, when you give them an instruction follow it up with something, whether it is another instruction or just more patter that changes the direction of where your spectator's mind is going it must flow smoothly and your spectators will go along for the ride.

Don’t Spell it Out for Them.
It is important that you do not have a running commentary of every action you do. Do not say things like 'if I take the top card', or ‘I will just put the coin in my hand’. Your spectators can see it is the top card you are using, by stating that it is the top card you are allowing the spectator to question that statement. Simply use the top card and say something like 'we will use this card to help'.

 

Reading your Spectators.

This is something that can only come from experience, but there are a few pointers I can share to help you along your way. You must be able to quickly judge how compliant a spectator is going to be in a short space of time. Now some of these judgements can be made by observation from before you meet up with the spectator.

Identifying the Alpha Male of the Group.
How you assess a group when approaching spectators makes a huge difference. You should be able to view a group and see who is the dominant person within the group. They are usually the centre of the conversation and receive the most attention from everyone in the group, when they speak, people listen. Another way to identify them is if you happen to someone insisting on picking up the bar tab or bill at the end of a meal. Look around, observe people. If you look for the details you wish to see, you will see them crop up all over the place. The alpha male is the shepherd, and the rest of the group are his sheep. If you win this person over, the rest of the group will follow. By getting the group on your side, you will dramatically reduce the chances of being second guessed or interrupted mid performance.

Be Personable.
Introduce yourself, shake hands with the spectator and ask their names. Be personable, don’t just go up to people in ‘magician’s patter mode’, many people find magicians annoying when they do that. By introducing yourself properly, you will have a moment to judge their reaction to you. You can then decide if you will take your performance slowly and seriously or make it light hearted and fun. Generally, if I get a stand offish reaction to my introduction I will address that person and let them know everything will all be ok, it is just going to be something quick and fun. Once you break down their barrier you can then go deeper with your performance and leave them with a better experience than they ever dreamt they would have.

 

These are a few guidelines you can use to help your magic performance. If you practice your magic techniques and patter so that everything runs smoothly, then you will be able to stay in control of your spectators. If you are in control of your spectators, then the chance of them trying to take control by asking questions such as 'can I check the card?' is minimized dramatically. It does take time to master things like this, but if you start now and are aware and analytical of what you are doing when performing then these things will start to come naturally, and that is the goal.

 

You may also like to read about how to use magic techniques to communicate effort in your magic.

 

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A Simple Trick Magicians Use to Expand a Group During Close Up Magic

by Dominic Reyes 4 Comments

How magicians expand groups during close up magic

By Dominic Reyes

I want to share with you something that absolutely terrified me when I first started performing close up magic.

I was fine strolling around performing close up magic at large venues with 100 guests or more. My main staple work was at cocktail parties and events where guests networked and were served canapés. I would mix of the guests moving from group to group and slowly work around the room. Every now and then I would be booked to do a gig for a much smaller group. I just didn't know how to work a room with only 6 or 7 small groups of people standing around having drinks.

I was often booked for a couple of hours. How was I going to use up all the time moving from group to group was such few people to visit?

Nowadays I don't have that problem because I use a really simple technique I'm going to share with you now.

It's a handy little trick that many professional magicians use to expand a group.

Using the aside.

aside (əˈsaɪd)

adv
 
Something spoken by an actor, intended to be heard by the audience, but not by others on stage

 
Shakespeare used that device all the time, but my favourite example of it is found in the movie Ferris Bueller's Day Off and that's how I first discovered it.

If you haven't seen the movie, you really should. Apart from being a classic, it's a great example of using the aside. The lead character in the film constantly breaks the fourth wall by talking directly to the audience watching the film. The other actors are unaware that this dialogue is taking place.

In just the same way, when you're performing close-up magic you can imagine that the spectators within the group that you're performing to are already part of the movie. Everyone else outside that group is the audience.

Whilst you're performing to the group, you pause for a moment and address somebody outside of the group. This will most likely be somebody standing within a group of people behind one of the spectators actively watching you. They're aware that the magic is happening, but they're not part of the group watching.

The aim is to connect with that person and by doing so invite the new group to join in.

There are several things you can say as an aside. The key goal is to let everybody know how much fun your group is having. You're Broadcasting that something magical has just occurred, and something even more crazy is about to happen.

Your aside might be something like:

‘It's going to be really hard to fool these people a second time’

‘These guys here really wants to shuffle cards, should I let them?’
 
‘I know, I just can't believe I just saw that’

Ideally, the comment should be framed as if the group you are part of can't hear what you're saying. You are addressing everybody outside of the group and letting them know about something amazing just happened.

Everybody's style of presentation different. Some successful close up magicians can get away with being more brash others. That doesn't suit me, so I'd rather pick asides that are pretty modest. In a sense, you're telling everybody how amazing you are, and that they have just missed something absolutely incredible. You might not want to be as blatant as saying ‘These guys have just seen something totally unbelievable, and now I'm going to do something even crazier’ but you are communicating that in a subtle way.

Next time you're performing close up magic to a group, notice the group standing next to, or behind your spectators. There's a good chance you'll see someone glancing over and showing interest in what's happening. Seize the moment, use an aside to engage that spectator and start an interaction with them.

Let me know how you get on in the comments section at the bottom of this page.

 

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