How to do Magic Tricks

Advice and Support for Magicians

What is the Difference Between a Magic Act and a Magic Show?

by Dominic Reyes 1 Comment

What will be in your magic show?

By Dominic Reyes

 

Ed asks: How do I build the magic tricks I already do into a working act I can use for gigs?


If you've been learning magic for any length of time, it's likely that you have already built up a range of magic tricks you can perform sufficiently well to perform to spectators. If you don't feel that you've reached this stage it means that you need to carry on practising and rehearsing until you've gathered together a collection of magic tricks that are at the stage where they ready to be performed. However, putting together a commercial act isn't just about mastering a group of random magic tricks. You have to add some organisation to the magic you are going to perform if it's going to be suitable for performance to the public. An important part of this organisation is grouping together your  magic tricks into acts and then those acts built into a show.


The difference between an act and a show.


For magicians, an act is a small group of magic tricks which work well  together. It consists of openers, bridging tricks, and closers. The magic tricks flow well together, building energy and excitement at a steady pace, and reach an exciting climax. Essentially, the whole act should contain all of the elements of entertainment that are found within each individual trick itself. This unifies the collection of magic tricks into a group that works well together. A typical magic act may only be about 10 or 15 minutes long.


A show is a collection of acts. In exactly the same way that the tricks are organised together within an act, the acts are organised in the same way to form a show. The show adds a larger story arc that is delivered through it's acts.


An example of this is the new magic TV series Killer Magic. In the TV magic show, 5 magicians compete to perform magic tricks in front of each other. Each magician takes turns to perform a trick and the other magicians award points for the tricks performance.


The TV show is divided into acts. Each magicians trick is performed and then feedback and points are awarded by the other magicians, that's one single act. Now another act starts as the next magician performs their trick. After all the acts of been completed, the lowest scoring magician has to  perform a magic trick as the finale to the show. The last magic trick is the final act. Each of these acts are presented together to fulfil a common purpose; choose a winner for the show. In this way, the collection of acts produces a greater meaning than the sum of their individual parts.


Using acts in close up magic.


Close up magicians build small acts for different parts of their bookings. They use short, fast resetting, angle proof, and punchy magic tricks for walk around conditions. For magic at the tables, magicians choose magic tricks that will engage a large group of spectators in a slightly different way than the magic tricks they've used for walk around. They grouped together magic tricks into balanced acts that are suitable for each of these working conditions. The acts may only be 5 or 6 minutes long, containing 3 or 4 tricks. Because magicians will be performing to various groups through an event, they may build together many acts that are suitable for each working condition. Having different acts for the same type of situation allows the magician to perform magic to groups that may be close to each other without having to worry about repeating a magic trick. Because the magicians are performing to small groups for a short period of time and then moving on to another group, they don't need to think too much about show construction. However, sometimes the magicians will be asked to perform from a longer period of time to a fixed group of spectators. That's when show construction  becomes crucial.


Building a magic show.


If you wish to perform magic on the stage, as part of the children's magic party, or as an after-dinner entertainment, you need to start thinking about  building a larger set of magic tricks that will play for anything up to an hour. Constructing a show is about grouping together your magic acts around a common theme. You need to think about the story that will be the framework to your show. Once you have a story, that has a beginning, middle, and an end, you can choose magic tricks that will fit into a group of small acts that create the show. It's important that you've choose the story first before you select the magic tricks which will tell the story. Random unrelated magic tricks can't easily be put together to create a show. If your magic tricks are not presented in acts that come together to tell a great story, the show will seem wrong to your spectators, it will lack something. Even TV magic shows which present a series of random magic tricks divide them into acts which communicate a greater message. For example, Dynamo Magician Impossible presents magic tricks that are unrelated to each other, each magic trick is an act, tied together by a story of how Dynamo grew up and found inspiration for his magic.


Do this:


Think about some stories you would like to tell.

  • How you grew up and discovered magic.
  • What it's like being a magician day-to-day.
  • How you used magic to overcome an obstacle in your life.
  • How magic was used in the past to swindle people.
  • How you discovered a unique magic item.


Write a short story on the subject that you have chosen. What magic tricks could you use to communicate each part of that story? Choose one or two  magic tricks for each part of the story.


Thinking about how you present magic tricks is just as important as practising the mechanics and performance of the tricks themselves. Good magic is not performed in isolation. You probably already know enough magic tricks, the real skill comes in using that magic to entertain people. Building your magic into an act and then each act into a show will help move you forward far more than learning another magic trick ever will.

 

 

 

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Filed Under: beginners, how to do magic tricks, performing for the public, Questions and Answers, showmanship Tagged With: performing for the public, showmanship

Using Magic Tricks to Change Your Life – A Magicians Experience

by Dominic Reyes Leave a Comment

Using magic tricks to change your life

We received this account of how one magician used his magic to change his life.

 
Iain Writes:
 
I thought I'd share a little story with you (I've been meaning to for a couple of months but I've just never got around to it), to give a practical, real-world, non-magic example of when being an amateur magician came in handy for me recently.
 
I've been interested in magic for a good few years.  My skills aren't amazing, but I've got enough of a repertoire of tricks that I can perform competently, so that when I do get people asking me to show them one, I can create a little moment of amazement for them. Apart from my poor wife, who is my guinea pig, and gets to see them going wrong when I practise, and who therefore has no love of magic whatsoever.  That's true love for you..  
 
I'm largely a "family and friends" kind of performer, and have no aspirations to perform anywhere else (although if time and money were no object…), but I've had occasions where I've performed in front of strangers (birthday parties, weddings, in the pub etc.) and it's always left me with a great feeling. You don't know what you're going to get with these guys, so it adds an edge to what you're doing, which probably bolsters my "acting" part of the act.

A new job.

Anyway, back in December, I decided to look for a new job.  I felt like I'd reached the end of the line in my existing role, and wanted to try for something new.  To my amazement, I had a company contact me out of the blue – they had seen my skill set, and thought I'd be a great fit for a position they were looking to fill.  It was a consulting role – so lots of going on site, meeting people, and engaging with them – which is slightly different from what I do at the moment.  As I was preparing for the interview I was conscious of this fact – after all, while I had the technical skills listed on the job specification, I wasn't in a role at the moment where I was consulting in any capacity.
 
When I arrived for the interview, the first thing they wanted to know was about me, the person.  I'd been through a couple of telephone interviews prior to this, so they knew that my skill-set matched up to what was on my CV and I wasn't blagging my technical knowledge.  Therefore, they wanted to know about what I got up to when I wasn't working.  After all, you can be the most technically brilliant person in the world, but if you're personality is not a right fit you will not make a good hire.  Naturally, when it came to pastimes, I said one of my hobbies was performing as an amateur magician.
 
They were VERY interested in this.
 
I explained a little, to which the interviewer said "So, basically, you are comfortable with performing in front of complete strangers, being the centre of attention, answering all sorts of questions that are thrown your way, and thinking on your feet?"
 
I nodded, and he smiled and said "Because that's exactly what this role entails!"
 
The rest of the interview went brilliantly.
 
I start in my new role at the beginning of April. 🙂
 
So, there you go.  A little feel-good story that I thought you'd like me to share with you.  It just goes to prove that all those lovely magic books that I have bought from the magic shop over the years DO have a practical application if you're NOT working as a professional magician!
 
 
 

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Filed Under: magic advice, performing for the public Tagged With: Magicians Life Stories, Practical Magic

TV Magicians – Is it OK to Complain About Them?

by Dominic Reyes 5 Comments

TV Magicians - magicians complain

By Dominic Reyes

Many magicians become annoyed that the general public are impressed with TV magicians.

Popular comments about TV Magicians:

“I saw that magician Troy on TV last night.” 

“Wow you're like Dynamo!” “

Penn and Teller were so amazing”.

When watching magic, the general public often mention other magicians. How you react to it is very important. It’s tempting to feel that you are being compared or judged by spectators when this happens.. Resist the temptation to slag off other magicians. If one of your spectators mentions another magician it's usually because they really liked him or her. It isn’t some kind of direct comparison, and you don’t need to feel threatened or try and put the other magician down.

Some questions to ask yourself:

What are you trying to do?

How do you want your audience to feel?

Will putting down the abilities of the TV magician help you in any way?

Is your goal to destroy their appreciation of the TV magician and love you more instead?

Many magicians get annoyed by the fact that the performers they are apparently being compared against work on TV. They feel that they need to justify that magic on television is different from that of a real life magic show. The huge budgets, audience management, and staged situations annoy many magicians.  They sometimes feel that TV magicians simply don’t have the talent that is being portrayed in their television shows. So what! The quality of magic from a performance point of view is not important. The magicians technical ability is besides the point. If the show has impressed your spectators, it has achieved exactly what it intended to do. Anything negative you have to say about it just reflects badly on YOU rather than the magic show.  

Your spectators watched a magic show, and it made them feel good. It made them appreciate magic, and spurred them to want to watch more in a live situation. That’s done a huge service for you. Your own personal feelings about the quality of the magic they’ve seen, and your annoyance about the impossible situations created for the magic within the show is of no concern to the spectators. Your spectators enjoyed it. Anything negative you say about that takes away their enjoyment, and that’s not what you’re there to do. 

If you really want to be negative about TV magicians, save your comments for conversations with fellow magicians not the general public. It's fine for you to have issues with the magic you see presented. You have every right as a fellow magician to complain that much of magic that is presented on TV is unrealistic, or unrespresentative of live magic. It's fine to feel that many TV magicians are simply 'product' created by TV production companies. However, complaining about another magician is not something you should do to a spectator, especially if they admire the TV magician. It serves you no constructive purpose.

Your reaction to TV magicians.

So how should you react to spectators being impressed by magic tricks which you know, or feel are impossible TV creations and hype? Be generous, gracious, and complimentary about the TV magician. Say something really positive about them. Tell your spectators an anecdote about  a time that you met the TV magician. Let them know what a great person he or she is in real life, how much passion they have for magic, how difficult it must be to create a large number of elaborate illusions to be shown on television.

“Yeah, Dynamo’s a really great guy, who genuinely loves magic. It’s so good for magic that he is introducing it to the public at large”

“I like Dynamo too,  you know you can often find him mixing with magicians at magic conventions, he really has a passion for magic.”

“Troy's a lovely guy if you meet him in person. I’m really pleased that he’s being able to take magic and give it a higher profile on TV.”

“Yeah, it’s fantastic to see so much new magic on TV now.”

“ I was at a huge magic convention a while ago and saw Dynamo taking the time to help some of the beginners, he’s inspiring a lot of new magicians to start magic.”

The key attitude as a professional is not to feel you are being compared. You are being put in the same category as a famous magician that your spectators know about. You have something in common with them. Take that as the compliment it is intended to be.

What do you say when spectators mention a famous TV magician? How do you think it reflects on you and your performance? Share your thoughts in the comments section below.

 

 

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Filed Under: Approach, Dynamo, Dynamo Magician Impossible, Dynamo TV, how to do magic tricks, magic on TV, performing for the public, showmanship Tagged With: Dynamo, Dynamo Magician Impossible, magic on TV, showmanship, TV Magicians

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