How to do Magic Tricks

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The 4 Stages of Becoming a Magician

by Dominic Reyes 3 Comments

The 4 stages of becominig a magician

By Dominic Reyes

How do people decide to learn magic?
Why do most people enjoy watching magic, but becoming a magician is rare?

I think this has a lot to do with 4 stages of becoming a magician:

1) Unconscious incompetence

Remember what it was like before you became interested in magic. Maybe you were just like the majority of people that watch magic on TV? You enjoyed seeing the show, being entertained, and fooled by a magician.

Have you ever watched a Cirque du Soleil show? It’s a wonderful experience, seeing the incredible feats that the acrobats achieve. Most people love to watch it, but don’t have any desire to understand the practice process that the acrobats go through, or the construction and specifications of the springs, trampolines and wires that they use to perform their show. That’s how the vast majority of people view magic. They don’t really want to understand how the magic tricks are done.

2) Conscious incompetence

Because you are reading this blog, I assume that you are a bit different from the people I have described above. You wanted more from the magic tricks and magicians you watched. At first you didn’t have any technical knowledge of how any magic tricks were performed, but the desire to explore and understand the secret of magic was inside you.

This thirst for more information often leads people to seek out the skills they know they don’t yet possess. You discovered that you have a drive to investigate and learn magic. At this stage, most people will spend a great deal of time theorising about how magic tricks are done. They conduct searches online like ‘How did David Blaine push a needle through his arm’ or ‘How did Dynamo put a phone inside a bottle’. They have the desire to learn magic, but lack enough knowledge to perform it themselves.

Maybe you stumbled onto a magic shop website or discovered an introductory book on magic in your local book shop? Perhaps you met someone who was already performing magic, and he or she showed you a few beginners tricks?  The main difference is that you became aware that there were skills that you could learn yourself. You understood that YOU could also do the magic that you saw other magicians perform. You began the process of becoming a magician.

3) Conscious competence

I’m going to take a guess and say that you are now at this stage in the process of becoming a magician. You’re in good company as most people remain at this stage their whole lives. The majority of magicians know a great deal about magic, yet they remain in a state of conscious competence. They consume as much information about magic as they can. They learn basic card magic technique, and build up a range of self working magic tricks and basic sleight of hand that they practice on a regular basis. However, they never really feel that they have mastered any of them to the point that they are automatic.

Do you find that performing a magic trick requires all your concentration and effort? Although you can perform quite well whilst practicing alone, do you tend to freeze when it comes to performing to other people? Do the mechanics of your magic tricks take up all your attention and effort?

If you find yourself identifying with these questions, I have some good news for you. You are right on the verge of the final stage of becoming a magician. You have the knowledge and technique, but need the experience and practice to make the mechanics fully automatic. To push past this, you simply need to narrow down your material, focus on a small range of techniques and tricks, so that you can practice them over and over again. Your magic practice should be structured, consistent, and involve both solitary repetition and live performance practice. The aim is to reach total familiarity with the mechanics so that you can move beyond conscious awareness of mechanical process. You can’t do this if you are constantly jumping from one new magic trick to the next. You have to commit to a limited amount of material that you can repeat over and over until it’s mastered.

4) Unconscious competence

Most professional magicians have a small set of magic tricks that they call their ‘working material’. This has been practiced and repeated to the extent that it has become second nature. The magician is so familiar with the mechanics that they can be performed whilst executing another task, such as delivering a patter line, or reacting to a spectators comments. This is the ultimate goal of a magicians magic practice.

How many magic tricks do you know that have been mastered to this extent? Perhaps none? Maybe just a handful? The ultimate goal in magic practice is to build up a range of magic tricks that you have unconscious competence over. The best way to do this is one trick at a time. Why not choose just one of your favourite magic tricks, and make the commitment to focus all your attention on it until it reaches this stage of mastery? I guarantee that you will find this transforms both your magic and your performance skills beyond anything you ever dreamed possible.

Reference: Noel Burch developed the Conscious Competence Ladder in the 1970s. It has been attributed to Abraham Maslow, although it doesn’t appear in his major works.

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Filed Under: beginners, how to do magic tricks, magic advice, magic tricks, practice, Questions and Answers Tagged With: beginners, How to Learn Magic Tricks, practice

How Magicians Build Magic Sets For Their Acts – Choosing Magic tricks

by Dominic Reyes 3 Comments

How to buildmagic tricks into working sets

By Dominic Reyes

We discuss how to build your magic tricks into magic sets that flow together. Constructing a magic act.

One of the most common questions our magicians get asked is how to order magic tricks into sets for performing to the public. Let’s look at the types of magic tricks that can be built into working magic sets, and how to order them into your act to get the best results.

Getting ready.

The first step is to understand what kind of magician you are. Do you enjoy comedy magic? Perhaps you prefer a more serious style, featuring hard hitting mentalism? Your magic style should dictate the shape and style the magic sets, and how you will be perceived by your audience. Take time to decide exactly which style of presentation would suit you best. Choose tricks that compliment and communicate the ‘style of magician’ you want to be.

Once you have a style, it’s time to build magic sets. We will build 3 magic sets, each containing 3 magic tricks. The three sets will each have a different pace, designed for specific parts of an event, and types of spectator.

Set one: The approach.

Magic Trick 1) The Impression.

The first magic trick will be your opener. This is the trick you will use when you join the first group of the evening. It needs to be quick, with a goal of capturing the attention. The magic trick must show that you are professional and skilled. When you join your first group, they may not know that a magician has been booked, so may not have anticipation of the magic they are going to see. Choose a magic trick that requires little initial attention. Think quick, fast, and impressive! A simple coin routine works well in this position, especially a 3 fly coins across. Perhaps a colour change card trick with a little flourish built in? If you use comedy, make sure you get a laugh with a strong line. The aim is to make everyone notice, and focus on the magic as quickly as possible.

Magic Trick 2) The Build.

After your opener magic trick, you will have the group engaged with your magic. This is the time to perform a longer trick that will stand up to focused attention. You are now interacting with the group. Start using spectators names, and get them involved. It’s this point that will most often have new spectators joining the group to see what is going on. Open up the circle if you can. Involve a few spectators, and look for magic that takes place in their hands. This could be a strong card routine, an expanded sponge balls set, chop cup routine. The aim is to relate to the group and expand it.

Magic Trick 3) The Shout Out.

Your final magic trick in this set should cause people to freak out. The aim is to have people getting noisy about what they have just seen. The goal is to capture the attention of other people in the room. Go for a magic trick that blows people away, and gets a round of applause, or some high fives. A bill in lemon, an omni deck, a bottle through table. This trick is a closer, so should end in an applause cue stance, with your arms open.

Keep it to three.

Each set should contain maybe 3 tricks. You want people to remain hungry for more. Explain that you need to visit everyone, but will show them more later.

Set Two : The group next door.

This set follows set 1 as you move to a group nearby. It may be the case that some of the first group will follow you as they want to see more. The new group may have watched a little of you magic from a distance as they heard the reactions form the first group. You now need a new set of magic tricks to perform for the new group.

Magic Trick 1) Moving house.

You are already warmed up, and the reactions you have been getting from your first set, will have been notices around the room. This first magic trick also needs to be quick and capture the attention. This magic set doesn't need to demonstrate your abilities as much as the first trick in set 1. A three card monte works well in this position, or an ambitious card routine. Short, punchy, and lots of climaxes and the secret to opener tricks. Your aim here is to move to the new group and get them engaged quickly to keep the buzz about you going from the first groups reactions.

Magic Trick 2) The Meat.

Now is the perfect position for a more meaty routine. Perhaps some mind reading, metal bending or a levitation routine. Play to the whole group and expand it. Card magic works well here as you could do a multiple selection routine such as the MRD deck by Liam Montier.

Magic Trick 3) The Big One.

To end the second set, we recommend that you hit them hard with a signature piece that will cause a stir. Ring flight, ring in walnut, bottle through body. Something that makes everyone applaud and freak out.

Set Three) The Circus.

You’re in the middle of the room and at a point where a large group is all around you. Most of the people have already seen your magic from sets 1 and 2. This set is almost like a theatre show.

Magic Trick 1) Helpers.

Use 2 or 3 helpers for a routine and bring them into the center of the group. In the hands chop cup routine, a rope routine like fiber optics extended, or a mind reading routine may be perfect here.

Magic Trick 2) Comedy.

Look for a magic trick that allows a few of the spectators to be comic if their personalities suit this. A street hypnosis routine, or an arm bend/twist routine would work well here.

Magic Trick 3) The Closer.

To end The circus set, you need your most dramatic closer. Something that gets 3-4 people joining you to help. Bring in some interaction from tables near you as well, and address the whole room. At the end, go for an applause stance. If you are performing to a single table, have the guests stand during the trick as this is a feature effect and should aim to be as visible as possible.

 

It's about pace.

So there you have three sets of magic tricks. Each set designed to be used at a different point in an event. You repeat sets 1 and 2 around the room, working towards the middle of the room, stage, or towards a top table. If you have the whole rooms attention, set 3 brings everything to a climax.

The pace for each set is different. Building from fast and flashy, to engaged and interactive.

Once you understand the flow and goal of your magic sets, it becomes much easier to choose new magic tricks to include, and to be able to order the magic tricks you already know, to be positioned within your sets to get the most out of them.

 

 

Related Posts: How to use a story to build your magic tricks into sets.

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Filed Under: Approach, beginners, how to do magic tricks, magic tricks, performing for the public, Questions and Answers Tagged With: Approach, building an act, magic sets, magic tricks, performing for the public, Routines

Best Magic Tricks of 2013 Awards

by Dominic Reyes 14 Comments

Best Magic Tricks : 2013 Awards

The Best Magic Tricks of 2013

Creativity seems alive and kicking in magic, with a record amount of magicians choosing their best magic tricks to hit magic shops in 2013.

Most new magic tricks become popular for a short time as magicians try them out, and see if they will make the grade for their acts. Usually the magic tricks end up in storage and forgotten. So, let’s take a look at the best magic tricks to be released in 2013.

How the award winning magic tricks are selected.

The Merchant of Magic is a magic shop. So, it’s only fair to point out that we also supply most of the items that have won best magic tricks awards. However, the best magic tricks are just a few out of over 21,000 magic tricks that the magic shop supplies. The magic shop receives no payment from manufacturers for selection of the list. We have specifically left out any items that are produced by The Merchant of Magic.

The winners that have won a best magic trick 2013 award are selected from the following sources of opinion:

  • Customer feedback.
  • Quanity of sales.
  • Level of returns.
  • The views of magic shop demonstrators.
  • Reviews and feedback from magic forums.
  • Real world testing by professional magicians.

 

The Best Magic Tricks of 2013 Winners.

The list is given in no  order. Each of these magic tricks have won its place as the top most recommended magic tricks launched in 2013.

Envy-Lope – By Brandon David and Chris Turchi

Envy-Lope by Paul HarrisEnvy-Lope has become on the the staple card magic tricks being performed by working magicians across the world. A signed playing card is lost in a deck of cards. Instantly the deck transforms into a little white envelope, containing the spectators signed playing card. A simple plot, visually stricking magic and an easy method has made this a winner with working magicians.

 

 

 

Clean Cash By Marc Oberon

Clean Cash

A blank piece of paper, transforms into a £20 with just the wave of the hand. If a magician could do real magic, this is what they would do! Marc Oberon has invented a unique method for this popular magic trick.It’s a winner because he has managed to  remove any unnatural moves. The magicians hands are clearly seen to hold only the paper. For working magicians who don’t want to use the traditional gimmick/prop for a bill switch, this is a great addition to their magic trick sets.

 

 

Sharpie Through Card by Peter Nardi

Sharpie Through Playing CardPeter Nardi took Rob Bromley idea for the Cigarette Through Card magic trick, and has greatly improved the method, making this practical and fun to perform for professional magicians. Sharpie through playing card allows you to easily stab a signed playing card with a normal Sharpie pen and then hand both items out completely unharmed! This magic trick is in the working magic cases of many performing magicians.

 

 

Glance by Steve Thompson

Glance - Best Magic Tricks 2013 AwardsOne of the best book tests ever invented. Glance allows you to perform one of the most impossible, memorable feats of mentalism with an object everyone has heard of and read before. And with Steve Thompson’s clever new system, you don’t need to fish for any clues about the word before revealing it. Glance is amazing in both engineering and design. Take a quick flick through the magazine and you will be amazed by the craftsmanship of the wording and layout.

 

 

Ace by Richard Sanders

Ace by Richard Sanders - Best Magic Tricks AwardsTwo joker playing cards are openly placed onto a spectator’s hands and two jokers are placed into the magcians hands. The magician just touchs his jokers to theirs, and all the playing cards transform into aces! Ace by Richard Sanders uses a very simple sleight of hand technique with a clever gimmick, so it’s ideal for total beginners to magic. It’s a wonderful moment, when the playing cards transform.

 

 

 

Electric Touch + By Yigal Mesika

Electric Touch + Wins Best Magic Tricks 2013 AwardsElectric Touch Plus allows you to use the force of electricity so you can deliver an electrostatic shock that will course through your body to your finger tip. Imagine reading someone’s mind and they FEEL the thought leave their mind as if it were zapped from their body. Electric Touch + was a major improvment on the original device that was a massive worldwide success with magicians. The range of uses and the reactions it gets from spectators has made this a winner with magicians around the world.

 

 

Any Word – By Ben Williams

Any Word wins Best Magic Trick 2013 AwardLiterally ANY word a spectator can think of can be predicted in a clean, impossible fashion and the best thing is that Any Word requires NO SKILL what so ever to perform. The spectator at the end of the routine really feels as though you had influenced them to think of the word that is predicted.

Over the past three years Ben Willaims has honed this routine into a well oiled machine that devastates every spectator that witnesses it! He has performed this amazing piece of mentalism in casual settings, in loud working environments, one on one, in front of large crowds, he has even performed it on RADIO!

The Clarity Box by David Regal

Clarity Box wins 2013 Best Magic Tricks AwardIn typical David Regal style, we have a practical and stunning addition to any table, or stage magicians act. A wonderfully crafted prop that is hard to find anything wrong with it!  A folded playing card that has been on display in a CLEAR BOX, IN FULL VIEW the whole time is tipped out to show it is the spectator’s signed, selected playing card! The Clarity Box is appearing in magicians working acts around the world and it’s performance ‘in the trenches’ shows just how useful this item is to working professionals.

 

 

Tiny Plunger by Jon Armstrong

Tiny Plunger wins best magic tricks 2013 awardThis funny little prop is the star of the magic trick! The tiny plunger holds onto to a thought of number of playing cards, locates a playing card selection, and a whole range of amazing plunger feats! Originally invented Mathieu Bich, and expanded by Jon Armstrong and Garrett Thomas, Tiny Plunger is that rare prop that is both comical, amazing, and magical.

 

 

 

Which magic tricks missed out?

This list should be longer! There’s a few magic tricks missing from the list. They are the ones that YOU like best!

DO THIS: Let us know which trick you think should be added and make sure you tell us why. Please share your thoughts in the comments section below:

  Related Posts:

Best Magic Tricks Awards 2014

Best Magic Tricks Awards 2012

 

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Filed Under: how to do magic tricks, Magic trick Reviews, magic tricks, recommended Tagged With: Awards, recommended

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